There was a similar, spray-on, peel off product many years ago. I forget
its trade name but we called it "disc-o-snot."
Steve Smolian
-----Original Message-----
From: Milan P Milovanovic
Sent: Sunday, September 09, 2012 10:40 AM
To: [log in to unmask]
Subject: Re: [ARSCLIST] Details on vinyl to digital re-mastering
I think that Duane Goldman on some other forums spoke against using wood
glue or similar substances for cleaning records.
As for myself I tried method on some LPs and discovered that some wood glue
type are aggressive to record surface by blurring them (visible in the dead
wax area) or even making them look like they were dissolved, white or
similar.
Milan
----- Original Message -----
From: "Doug Pomeroy" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Sunday, September 09, 2012 4:34 PM
Subject: Re: [ARSCLIST] Details on vinyl to digital re-mastering
An historical note: British engineer Reg Williamson developed a similar
product many years ago
for cleaning LPs called ELVANOL, Polyvinyl Alcohol 85-82 (Reg US Patent
Office). It is a
white powder you mix with isopropyl alcohol and apply to the LP surface and
after it dries
you pull it off as a single sheet and it takes the contaminants with it. I
still have a container
of ELVANOL but have never used it.
Doug Pomeroy
Audio Restoration & Mastering Services
[log in to unmask]
> Date: Sat, 8 Sep 2012 07:35:19 -0400
> From: Andrew Hamilton <[log in to unmask]>
> Subject: Re: Details on vinyl to digital re-mastering
>
> I recommend one try it first only on sides which are quite horrendous =20=
>
> for their content / presentation, as well as degree of debris =20
> covering them, in order to get the technique sorted. It's best to =20
> have a dedicated tt that is broken, say, so that you can use it for =20
> all your glue-cleaning. (Too bad it doesn't require "hot glue" - =20
> hehe). The stuff in Tite Bond, anyway, doesn't adhere, once dry, to =20=
>
> the pvc. But it _does_ adhere to almost everything else. I tried =20
> it on a little Wagner a while back and have the glue doughnut, still, =20=
>
> from the perfect pull - which was my sole effort at this, to date. =20
> The record is fine and clean as a whistle, and the doughnut's mirror-=20
> like image of the grooves looks dern near playable, had I a =20
> bifurcated stylus in my kit. (Is that _all_ I'd need for playing =20
> back a "father?" - not that this would be a normal sort of father - =20
> more like a son of a disc..).
>
> Andrew
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