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ARSCLIST  June 2009

ARSCLIST June 2009

Subject:

Re: Decca/London phase 4 stereo series

From:

Tom Fine <[log in to unmask]>

Reply-To:

Association for Recorded Sound Discussion List <[log in to unmask]>

Date:

Wed, 24 Jun 2009 08:15:56 -0400

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (68 lines)

Does anyone have a list of all the recordings made by Decca for RCA and which reverted to RCA and 
which reverted to Decca?

-- Tom Fine

----- Original Message ----- 
From: "Mike Gray" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, June 23, 2009 3:01 PM
Subject: Re: [ARSCLIST] Decca/London phase 4 stereo series


> The relationship ended when RCA established its own pressing plant in the UK, thus violating the 
> terms of the RCA/ Decca relationship. Turns out that RCA got the raw end of the deal - most of the 
> best records thereafter became Decca's property.  Not George Marek's finest moment.
>
> Mike Gray
>
> Goran Finnberg wrote:
>> Tom Fine:
>>
>>
>>> Not the case with Decca recordings released
>>> by RCA and later released by Decca. RCA
>>> would master and press these in the US
>>>
>>
>> I hope the following explains why the above happened.
>>
>> From the autobiography of DECCA producer John Culshaw:
>>
>> "Putting the Record Straight"
>>
>> The following from the end of the 50´s when EMI lost the right to distribute
>> RCA records in Europe and DECCA took over the same role.
>>
>> Page 134:
>>
>> "Certain RCA recordings, although made by DECCA technicans and producers,
>> were to be paid for entirely by RCA and would remain RCA´s property in
>> perpetuity; others were to be paid for by DECCA although they would appear
>> on the RCA label - the difference being that if any time the DECCA/RCA
>> partnership broke up (which it eventually did), the second category of
>> recordings would become DECCA´s property and be reissued with a DECCA
>> label."
>>
>> In those days computers were not in use, and it is generally true that the
>> larger the company the more likely it is that a piece of paper containing
>> seemingly unimportant information will get lost, which is exactly what
>> happened when, years later, it became necessary to sort out which recording
>> belonged to which company and which label to stick on it."
>>
>> --------------
>>
>> End qoute.
>>
>> When the partnership started almost all RCA recordings in Europe was done by
>> DECCA for RCA as part of the deal.
>>
>> This continued right up into the 70/80´s in the RCA classic film score
>> series by RCA producer/conductor Charles Gerhardt and recorded by DECCA
>> engineer Kenneth Wilkinson.
>>
>>
>>
>>
> 

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