Pretty much everyone who is having success is using Tite Bond or Tite Bond
Tite Bond brand is the only recipe I tried, and it worked as described.
----- Original Message -----
From: "Milan P Milovanovic" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Sunday, September 09, 2012 10:40 AM
Subject: Re: [ARSCLIST] Details on vinyl to digital re-mastering
>I think that Duane Goldman on some other forums spoke against using wood
>glue or similar substances for cleaning records.
> As for myself I tried method on some LPs and discovered that some wood
> glue type are aggressive to record surface by blurring them (visible in
> the dead wax area) or even making them look like they were dissolved,
> white or similar.
> ----- Original Message -----
> From: "Doug Pomeroy" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Sunday, September 09, 2012 4:34 PM
> Subject: Re: [ARSCLIST] Details on vinyl to digital re-mastering
> An historical note: British engineer Reg Williamson developed a similar
> product many years ago
> for cleaning LPs called ELVANOL, Polyvinyl Alcohol 85-82 (Reg US Patent
> Office). It is a
> white powder you mix with isopropyl alcohol and apply to the LP surface
> and after it dries
> you pull it off as a single sheet and it takes the contaminants with it.
> I still have a container
> of ELVANOL but have never used it.
> Doug Pomeroy
> Audio Restoration & Mastering Services
> [log in to unmask]
>> Date: Sat, 8 Sep 2012 07:35:19 -0400
>> From: Andrew Hamilton <[log in to unmask]>
>> Subject: Re: Details on vinyl to digital re-mastering
>> I recommend one try it first only on sides which are quite horrendous
>> for their content / presentation, as well as degree of debris =20
>> covering them, in order to get the technique sorted. It's best to =20
>> have a dedicated tt that is broken, say, so that you can use it for =20
>> all your glue-cleaning. (Too bad it doesn't require "hot glue" - =20
>> hehe). The stuff in Tite Bond, anyway, doesn't adhere, once dry, to
>> the pvc. But it _does_ adhere to almost everything else. I tried =20
>> it on a little Wagner a while back and have the glue doughnut, still,
>> from the perfect pull - which was my sole effort at this, to date. =20
>> The record is fine and clean as a whistle, and the doughnut's mirror-=20
>> like image of the grooves looks dern near playable, had I a =20
>> bifurcated stylus in my kit. (Is that _all_ I'd need for playing =20
>> back a "father?" - not that this would be a normal sort of father - =20
>> more like a son of a disc..).