You know... The more I think about it, the more I'm convinced that
"sealing" the disc in it's housing -- what one would essentially be doing
in this case -- is a really a bad idea.
We already talked about micro-environments on Monday but I'll say again
that sealing the disc within its housing allows off-gassing and other
byproducts of degradation to compound this problem -- perhaps even
exponentially! It also seems to me that if the discs are stored at
reasonable archival conditions (let's say <50% RH) there's less of a need
to keep moisture out.
Echoing what Richard said earlier today, I think I'd prefer to have at
least some airflow within these housings.
At 09:21 AM 8/3/2005, you wrote:
>Thank you very much. At $4.10 per sleeve in small quantities
>for 10-inch discs, these Metal Edge sleeves are substantially
>more (by 4x) than the next most expensive sleeve. Even the
>best possible pricing for this sleeve is $3.20 per sleeve in
>large quantities. Cost aside, they look like a good alternative.
>We are looking at the sleeves from Conservation Resources,
>which are 4 layers (paper/polyethylene/foil/polyethylene) and
>about $0.87 per sleeve in small quantities. These sleeves are
>very close to what Pickett and Lemcoe suggest in their landmark
>1959 work "Preservation and Storage of Sound Recordings". The
>sleeve lacks the window, but the foil and polyethylene provide
>a vapor barrier and a smooth inorganic surface against the
>record. You can see them here:
>These look like a great sleeve for shellacs or vinyl, but I'm
>not sure about using these for acetates.
>If breathability is important, then for 16-inch discs, these
>sleeves/envelopes look very attractive from:
>Although they lack a window and are basically folder stock (lignin
>free), the seams are on the outside and there is a flap to
>further protect against dust.
>For 10-inch discs, there are plain polyethylene sleeves from Bags
>Unlimited. These are 3-mil thick (good), but they don't seem to
>offer much mechanical protection of the disk:
>The real question for me is the importance of air circulation in
>the sleeve versus the need for a vapor barrier against moisture.
>These two needs are diametrically opposed. One of these is the
>lesser of two evils, but I don't know which one (lack of air
>circulation, or presence of moisture).
>Others on this list have suggested that perhaps acetate discs
>behave in a manner similar to nitrate film, and that air
>circulation may be the priority. However, I want to also hear
>from those with long-term acetate/nitrocellulose discs in their
>It would be interesting to know more about what went into the
>thinking of the LC-designed sleeve. Is the LC-designed sleeve
>targetted at all discs, or does it particularly take acetates
>Thanks for the fast response - the ARSC List has been very
>quiet this Summer.
>The Audio Archive
>From: Association for Recorded Sound Discussion List
>[mailto:[log in to unmask]]On Behalf Of Sam Brylawski
>Sent: Wednesday, August 03, 2005 6:00 AM
>To: [log in to unmask]
>Subject: Re: [ARSCLIST] Acetate disc sleeves
>LC developed a nice disc sleeve several years ago. Metal Edge won the
>contract to mfg it. The link to their catalog is:
>If that doesn't work, go to metaledgeinc.com and look under
>"Phonograph Record and Film/Audio Reeel Storage: Archival Quality
>Phonograph Record Storage Sleeve.
>The sleeve is actually two, an acid-free board with center hole, and a
>loose-fitting Mylar outer sleeve.
>On 8/2/05, Eric Jacobs <[log in to unmask]> wrote:
> > What are your preferred sleeves for storing acetate (nitrocellulose)
> > Here's the debate (per "Preservation and Storage of Sound Recordings",
> > Pickett and Lemcoe, 1959):
> > 1. The deterioration of nitrocellulose is accelerated by moisture
> > 2. The deterioration of nitrocellulose is accelerated by lack of air
> > circulation
> > Which is the lesser evil - moisture or air circulation?
> > Assume that the storage environment is approximately 70F and 50% RH and
> > stable, and that the records may potentially remain undisturbed for many
> > decades:
> > A. Does the disc benefit from the additional protection of a vapor
> > as part of the envelope? Or does the vapor barrier prevent adequate air
> > circulation? For example, a polyethylene sleeve, or a multi-layer
> > paper/poly/foil/poly sleeve.
> > B. Or are you better off with a 10-point folder paper type envelope which
> > will breathe better than a sleeve with a vapor barrier?
> > C. What about paper type sleeves with center cut-outs for viewing the
> > label? They provide good air circulation, but provide no protection
> > contaminants or moisture.
> > Now that our collection has been properly cleaned and transferred (16-inch
> > audiodiscs), we would like to store it as well as possible, including the
> > selection of an optimal sleeve.
> > Eric Jacobs
> > The Audio Archive
Hoover Institution Archives
Stanford, CA 94305-6010
email: [log in to unmask]