What about using 24 bit at 44.1 so that any noise reduction or
processing done later is higher definition?
Lou Judson • Intuitive Audio
On Feb 20, 2006, at 8:21 AM, Richard L. Hess wrote:
> It's easy to say 96/24 for everything, but if you can put 3x the
> amount of stuff in the same bucket at 44.1/16 and you haven't lost
> anything, why wouldn't you do that?
> It's a balancing act. The cassette is the weakest link in the chain.