On Fri, 31 Mar 2006, Steven Smolian wrote:
> As to Schnabel, he violates his own edition frequently. His Diabellis are a
> particularly fine example of this divergence.
Having sit through most of the Sonatas with his edition, I don't see that
his liberties with his own text are that significant...but I will revisit
Which makes the point of the difference between text (notation) and sound.
So then the question is...what did Schnabel really want?