On 27/05/07, George Brock-Nannestad wrote:
>> I would guess that in most cases, if not all, the original room was
>> not designed at all, apart from such things as putting the piano up
>> on a platform.
> The Gramophone Company
> in their recording rooms in Hayes (post 1912) had ceilings that could
> be raised or lowered by rack and pinion according to the task.
Interesting. Do you have a reference for that?
> ----- Edison also performed experiments with performers placed on
> squares drawn on the floor (Harvith & Harvith).
Distance from the horn is obviously critical, but that isn't the same as
the design of the studio. Nowadays, everyone is aware of things like
live and dead ends, etc.
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