Not sure if you're being sarcastic, but assuming not. I think it just shows that the media isn't the
message with a good recording. Keith Johnson made good recordings on his custom tape rig. He also
makes great recordings on his digital rig. I don't believe he's used the tape rig for years now,
perhaps more than a decade. A good recording is much more dependent on proper mic placement, great
microphones and a recording chain where the goal is output = input (much more achievable with a
modern digital setup than with any analog tape format ever, if the real goal is output = input). But
the key, key ingredient is a great musical performance in front of these mics. Then the music
transcends the technique, humans involved and the medium used for recording and playback. Very rare
that all these factors come together, that's why there's a lot of recorded sound out there but most
of it doesn't sound very good.
-- Tom Fine
----- Original Message -----
From: "Ken Fritz" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Wednesday, May 27, 2009 10:07 PM
Subject: Re: [ARSCLIST] One Inch, two track master tapes- 15 or 30 IPS
You just knocked my socks off!!.
I think I'll go out in the garden and eat worms, say it isn't so.:-)
Does this mean that that ignorance is bliss?
On May 27, 2009, at 9:52 PM, Tom Fine wrote:
> Hi Ken:
> I assume you and Steve know that TP-007, Eiji Oue/Minnesota Orchestra: Exotic Dances from the
> Opera, is a digital recording originally. It's available as a 24/96 download at Chesky's
> HDTracks, and was originally issued as a HDCD Compact Disc. I think Johnson's original recording
> was 192/24 PCM, but this might date from before he used the super-high sampling rate.
> I think TP-003, Arnold/London Philharmonic Orchestra: Arnold Overtures, is also an
> originally-digital recording. Arnold is also available as a 96/24 download from HDTracks.
> -- Tom Fine
> ----- Original Message ----- From: "Ken Fritz" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Wednesday, May 27, 2009 9:05 PM
> Subject: Re: [ARSCLIST] One Inch, two track master tapes- 15 or 30 IPS
> Hi Steve, "Ironbut,"
> I'm working my way down on the replies to the 1 inch 2 track ATR
> posting I sent a day or two ago.
> I met Mike , Bette and Bill two years ago when I signed up for a
> class on ATR 101. It was a 5 hour trip from Richmond ,Va. so I drove
> up the night before. Everything went wrong. My F350 had a low tire
> when I left the hotel to drive to ATR Services. I went the wrong way
> on the interstate and drove to ATR on an almost flat tire. I was over
> dressed and ,due to the excitement, my Mitchum broke down. ---:-)
> I picked up my ATR 102 about a year ago and soon after one came up
> on ebay. Legacy Studios in Manhattan. Pick up only , no shipping. I
> was the only bidder at $2400. An ATR 104 with multiple head blocks,
> power supplies and audio cards. It was purchased from Mike Spitz a
> few years earlier and never used as the Legacy tech knew Studer
> machines and not ATR's .
> The last ATR machine came available a month ago. An ATR 1-2 with
> Aria electronics and an extra 1/4 inch head block with 20 hours of
> use. The devil made me buy it--
> The Precision Motor Works machine that mates the MR 70 electronics
> to an ATR is a beauty, I hope to hear one some day.
> I spoke with Momma Doc today about the possibility of asking
> Paul Stubblebine if he'd be willing to supply a transfer of a tape
> project issue on 1 inch tape. I hope to hear from him soon .
> If I had a choice of a 1 inch transfer it would be TP 05, 07 or
> any of the full scale classical titles they offer. Personally, I
> don't see the value of spending $$ on a transfer with a limited
> number of instruments. Spend the $$ and listen to a musical works
> that tax a playback system with dynamics that can only be replicated
> with a full symphony orchestra, my thoughts- I may be wrong.
> Steve, thanks for the reply from a TTP member, you put your money
> where your mouth is.
> Ken Fritz
> On May 27, 2009, at 7:55 PM, carlstephen koto wrote:
>> Hey Ken,
>> I recall that you live near and have visited Mike Spitz at ATR Services (I remember you took
>> his alignment class a few years back). I would assume that you either purchased your 1" ATR
>> from him or have had him service it. As a couple of folks have said, it could very well be
>> the ultimate solid state mastering machine. I know that some studios such as Fantasy did do
>> 1/2" 2 tracks (I have a Dexter Gordon from them) but I don't know of any golden age studios
>> that used them. Aside from Mike, MTR Precision Motor Works also used to set up 1" 2 track
>> mastering machines. You may want to contact them both and contact the studios that purchased
>> these machines and perhaps you can strike a deal to at least hear these masters.
>> Regarding the Tape Project, I'm sure you know that Paul (Stubblebine) has two 1" 2 track
>> machines that are used in the production of our tapes. One is an ATR with Tim de Paravicini's
>> custom electronics while the other is an MM1200 with MR70 electronics ( I believe that Mike
>> Spitz set this machine up when he was still located in San Mateo). I'm sure you could
>> commission a couple of custom tapes to be produced for you . I would hurry though. They have
>> purchased the rights to produce a limited number of releases and I would certainly try and get
>> a 1" copy of "Waltz for Debby" and "Saxophone Colossus" if I were you (they'd be as close to
>> exact duplicates of the master as you'd ever get).
>> Steve Koto
>> On May 26, 2009, at 7:58 PM, Ken Fritz wrote:
>>> Hi Lou,
>>> I'm a subscriber to TTP and appreciate the quality that tape delivers.
>>> I'm hoping to find a few listers that have studio tapes from groups that never made the big
>>> time but cut great sounding tapes. I've managed to purchase tapes from now defunct studios
>>> in Memphis and LA but all are 1/4 or 1/2 inch two track at i5 or 30 ips. I'm hoping to find a
>>> few 1 inch two track tapes if they're out there.
>>> thanks for the reply, Ken Fritz
>>> On May 26, 2009, at 9:04 PM, Lou Judson wrote:
>>>> No Beatles on on inch 2 track as far as I know.
>>>> But you can probably pay these guys to make you some tapes to play on your new toy:
>>>> Worth asking anyway!
>>>> Lou Judson • Intuitive Audio
>>>> On May 26, 2009, at 5:43 PM, Ken Fritz wrote:
>>>>> Hi Listers,
>>>>> I'm probably one of the few on the list that is an " Audiophile." That translates to
>>>>> "Music is fun and not a business." "Thank God" might be the next phrase but since my
>>>>> business supplies tooling to those that manufacture solid surface and cast marble to the
>>>>> construction industry I think we're both in the same boat. To the point!
>>>>> Analog tape is where the great recordings started and I'm keeping it going by filling my
>>>>> home with around 20 or so analog RTR machines. I belong to an audio group in Richmond Va.
>>>>> and they all marvel at the sound of tape. I just bought a one inch two track ATR and have
>>>>> nothing to play on it. I feel like I just bought a tuxedo and only have a pair of brown
>>>>> shoes--- no place to go!
>>>>> If anyone out there has a one inch two track tape that would show off what my machine can
>>>>> do and would CONSIDER sending it to me I'd appreciate it. The Genre isn't as important as
>>>>> the musical content. If a lister has a safety copy of the Beatles, any recording, I can
>>>>> send an armed carrier along with my first born for insurance-:), Any and all costs and
>>>>> insurance would be covered, of course.
>>>>> any reply will be appreciated, Ken Fritz