IF one had to work with one of these tapes, wouldn't more accuracy be
possible by slipping the tracks in a DAW rather than a real-time
delay? If I had one I'd try it!
Thus "had to use digital delay" is not the only way to do it.
Granted, slipping tracks is still a sort of DDL, but one less process
On Jan 5, 2010, at 1:00 PM, Mike Gray wrote:
> Finally, EMI didn't keep the staggered-head tape machine, so they
> had to use digital delay. Luckily, that machine was soon replaced
> with standard in-line head machines. Besides, editing the
> staggered-head tapes was almost impossible.