I do the same.
My procedure differs in that I copy everything to recordable DVD's which contain
the deliverables and all of the job information including correspondence.
Cheers!
Corey
Corey Bailey Audio Engineering
Quoting Dan Nelson <[log in to unmask]>:
> I retain a copy (cd) of every job ive worked on it is put in a cd case, it is
> filed in a storage box by the clients name with the date the work was done
> indicated on the cd label.
> The work sheets are kept in a folder by date.
> I would never expose any thing ive done with out the clients WRITTEN
> permission.
> dnelson
>
> --- On Wed, 3/17/10, Steven Smolian <[log in to unmask]> wrote:
>
> > From: Steven Smolian <[log in to unmask]>
> > Subject: Re: [ARSCLIST] Studio ethics- was NPR reporter searching for news
> archive
> > To: [log in to unmask]
> > Date: Wednesday, March 17, 2010, 6:24 AM
> > This brings up an interesting point.
> >
> > Do other studios retain past work? If so, for how
> > long? Should unique material make it the market or
> > even to public access throgh posting, does this expose the
> > studio to legal liability?
> >
> > Steve Smolian
> >
> > ----- Original Message ----- From: "Parker Dinkins"
> <[log in to unmask]>
> > To: <[log in to unmask]>
> > Sent: Wednesday, March 17, 2010 8:48 AM
> > Subject: Re: [ARSCLIST] NPR reporter searching for news
> > archive
> >
> >
> > > Samara -
> > >
> > > I did the work on those transfers in New Orleans for
> > Marie O'Connell and
> > > MDAH on November 26, 2004.
> > >
> > > The source format was 7" open reel on acetate tape. My
> > rough notes indicate
> > > that we removed some hum on the access copies, but my
> > detailed notes and
> > > specific settings were destroyed when the levees
> > collapsed.
> > >
> > > While I do have the original and processed audio on
> > data b/u, the program
> > > material belongs to MDAH.
> > >
> > > Hope this helps.
> > >
> > > -- Parker Dinkins
> > > Audio Mastering + Restoration
> > > http://masterdigital.com
> > >
> > >
> > > on 3/16/10 9:49 AM US/Central, Samara Freemark wrote:
> > >
> > >> Yes, I should have mentioned that we do have that
> > recording - and yes,
> > >> "chilling" is the word for it. Marie, that's
> > interesting that you worked on
> > >> preserving it. We were trying to track down who
> > preserved it. Where did the
> > >> tape come from originally? And do you (or anyone
> > else) know if other
> > >> archives from local radio stations in Mississippi
> > have been preserved
> > >> anywhere?
> > >>
> > >> Thanks again for all the help,
> > >> Samara
> > >>
> > >> On Mon, Mar 15, 2010 at 9:42 PM, Marie O'Connell
> > <[log in to unmask]>
> > wrote:
> > >>
> > >>> It was a live event, there was a large crowd
> > assembled as you could hear
> > >>> them in the background. The broadcaster
> > refers to a boy who is up a tree
> > >>> and had a 'good view' of Willie in the
> > portable electric chair. I was
> > >>> appalled to think a child would be allowed to
> > view this event which took
> > >>> place just after midnight. There is an
> > explanation about why the execution
> > >>> took place after midnight. After the
> > three rather loud surges of power
> > >>> from
> > >>> the generator are broadcast you hear the crowd
> > cheering.
> > >>>
> > >>> It was one of the saddest preservations I have
> > done.
> > >>>
> > >>> Marie
> > >>>
> > >>> On Tue, Mar 16, 2010 at 2:32 PM, <[log in to unmask]>
> > wrote:
> > >>>
> > >>>>
> > >>>> In a message dated 3/15/2010 9:29:43 P.M.
> > Eastern Daylight Time,
> > >>>> [log in to unmask]
> > writes:
> > >>>>
> > >>>>
> > >>>> I preserved the radio broadcast of
> > this execution when I was working at
> > >>>> the
> > >>>> Oral History Unit of the University of
> > Southern Mississsippi.
> > >>>>
> > >>>>
> > >>>> ----------------
> > >>>> This 1951 electrocution was actually
> > broadcast live (in real time)? Isn't
> > >>>> that a unique event?
> > >>>>
> > >>>> Allen
> > >>>>
> > >>>>
> > >>>
> > >>
> > >>
> > >
> >
>
>
>
>
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