Let us know when you list them.I actually have a lengthy classical 78 want
list.Some,like the Furtwangler Tchaikovsky,and Beethoven on on Victor (Late
30s/early 40s.),just because I have never been able find copies that do not have
at least one missing or broken record.If you have any of the 1938-39 Victors by
Charles Munch,anything by De Sabata,Knappertsbusch,the Von Sauer Liszt on the
78s,or this
http://www.archive.org/details/WeinbergerUnderTheSpreadingChestnutTree on the
original 78s,I would really want it.
I just bought my first original Thomas Beecham 78 from the 1910s.I know somebody
here once mentioned a complete discography published in the 70s.I would be
interested in seeing the pages devoted to the acoustic,and early electrical
records.
Thanks,
Roger
________________________________
From: Dr. Cheryl Thurber <[log in to unmask]>
To: [log in to unmask]
Sent: Fri, August 13, 2010 9:01:56 PM
Subject: [ARSCLIST] Victor and Columbia New Records brochures
1938-1942/Classical
I recently acquired a large number of record company New Records monthly
brochures from the period 1938-1942, mostly 1940 and 1941. The majority of them
are for classical recordings. I will be selling them but I am trying to get some
idea of how common they are, and the frequency that they turn up. As well as the
interest in them. I have collected records for many years and I have very
seldom seen these, although I admit I have mostly looked for ephemera related to
the various popular record styles. But I know these turn up less often than
actual catalogs. These are one or two color brochures usually a large sheet
folded into a small brochure, although some are stapled, with photographs and
descriptions of records. All are VG to Like New. The majority are Victor, and
also a large batch of Columbia, with a scattering of others and some popular.
Some have stores printed or stamped on them, mostly Los Angeles. I have a little
over 100, about 80
classical ones with some duplication. I will probably bring the duplicates and
the popular music ones (some nice Decca ones) with me to the Baltimore 78 club
meeting on Sat. But the other classical I will probably sell in groups. I am
actually an Amazon seller and I don't like selling on ebay so I have not decided
yet how I am going to sell them.
Looking at these raises the question for me of how much work has been done on
classical music discography? I am familiar with Jazz, Blues, Country,
Entertainment, Dance and Gospel discographies for the pre-war period. But what
about classical is there work being done, or is it part of label discography? I
know that most classical 78s fall into the swill category and the preference is
for scarcity or better sound quality of later periods. But still there should be
discography work.
Cheryl Thurber
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