From: "Michael Biel" <[log in to unmask]>
> Michael Biel wrote:
> >> Decca has been thoroughly documented by Michel Ruppli in his published
> >> discography set, although I do recall there being one sector of
> >> releases of imported masters that I wasn't able to find.
> On 8/14/2010 3:29 AM, Michel RUPPLI wrote:
>> Michael has well reported on going work on Columbia and Victor labels,
>> as well as my past work on Decca label***
>> *** Mike: all Decca imports were included in my Decca Discography - Vol.
>> 5 pages 631-736.
Point beingt that the Decca(US) ledgers still exist (I'm not sure in their
entirety?!). And, yes, Decca(US) DID make arrangements (or use pre-
1946 matrices?!) to create a series intended to compete with Victor's
"Red Seal" series(ses) and its Columbia equivalent...?!
There WERE 20***/25*** Deccas, which drew from the above series;
these series ended c.1935-36, when Decca realized there was more
money to be made in non-classical trcordings...!
Steven C. Barr
> Does it include issues in catalog number series 20000 and 25000? This
> came up in March on the 78-L because I only have your volume 6 -- the
> numerical catalog number index -- while David Lennick has the whole set.
> He brought this up, I assume while referring to Vol 5. He mentions a
> 10-inch 20000 and 12-inch 25000 Decca Odeon-Parlophone series which also
> used some English Decca masters. Volume 6 shows these numbers only being
> reused for a short-lived Plays series (Death of a Salesman and The
> Council) and a popular Special Series respectively. The ones he was
> talking about were:
>>>>> ...cheap red label classical and some Ethnic. "Sounds of
>>>>> the Orient" (exact title?) was in that series. Handel's Concerti
>>>>> Grossi nos.
>>>>> 1-3 conducted by Boyd Neel were on 25655/67, Walton's Symphony was on
>>>>> a couple of Betove's records were in the 20000s. No albums provided.
>>>>> of these and the 10-inch 20000 series were still in the 1943 catalog.
> I replied:
>>>> The 1941 POPULAR catalog shows the 20000 and
>>>> 25000 series in the price list on the inside front cover but doesn't
>>>> list them in the catalog, along with most of the ethnic series such as
>>>> Irish, Mexican, Scotch, Race, West Indian, and Hill Billy. Except for
>>>> few of these that are numbered in the regular popular series -- mostly
>>>> for inclusion in an album -- those are in separate catalogs.
> I also mentioned several other numerical series numbers which had been
> reused and both are included in your book, such as the two K- children's
> series and the two 29000 series.
> Lennick also noted:
>>>>> Ruppli also didn't list any of the Decca custom matrix numbers
>>>>> used for Commodore, Keynote and private labels in the early 40s
>>>>> ..maddening, since he did list some that were used in the 30s
>>>>> for Liberty Music Shops.
> While we are at it, I found a few items in the preface to Vol 6 that need
>> "After the war, a new peak in activity occurred. Decca purchased
>> material from the Signature lanel and started reissuing vintage material
>> from Brunswick, using a revised Brunswick logo."
> I'm not sure of the date of Signature material, but the Brunswick series
> began during the 1942 strike,in response to the Columbia reissues Avakian
> was doing. Didn't Milt Gabler do these? You then mention Coral and
> Vocalion as being started at the same time (after the war) but since
> Brunswick reissues had started in 1942, this is wrong. Besides. these
> labels came about quite a bit after the war, closer to 1950.
> But the biggest error is this:
> "In the meantime, Jack Kapp, who had headed the label since the
> beginning, resigned to form his own company and produce recordings under
> the Kapp label (not included in this set)."
> Jack Kapp DIED suddenly on March 28, 1949 at the age of 48. His brother
> DAVE Kapp was the one who resigned a few years later and formed Kapp
> Records in 1954.
> Relative small, but nagging problems, is such a great work!
> Mike [log in to unmask]