Of course this requires working with the recordings rather than just
listening to them. A point about staggared tape -- the head offset is
exactly the same as the distance between the record and play heads on
the Otari 5050 (at least the 4-head headblocks) so you only need to put
the following channel in Sel-Rep with the lead channel in Repro. Worked
fine with some Robert Oaks Jordan master tapes.
Mike Biel [log in to unmask]
-------- Original Message --------
Subject: Re: [ARSCLIST] "soundbook" Book-Records Inc, NY
From: Tom Fine <[log in to unmask]>
Date: Wed, December 08, 2010 6:16 am
To: [log in to unmask]
There's no reason to cobble in the age of DAWs. Just transfer both
bands with a good quality 1-mil
mono cartridge and then line them up, checking "sync" as often as
needed. Bob Auld did this very
convincingly for an AES NYC section presentation a few years ago. The
Cook sound on what Bob did
(one section from an SFX record and a Brahms recording, forgot the
orchestra) was what I'd call
"binaural" rather than stereo -- works best with headphones as opposed
to speakers. Most speaker
setups leave a hole in the middle. Bob achieved good "sync" with the
Brahms because there was no
flangeing/phase-swoosh at any time with the room tone/reverb nor did
the strings move around. I've
been able to do something similar with several "staggered-head" 2-track
tapes. Given the tapes' age,
I verified "sync" every couple of minutes, looking for transients
supposed to occur about in the
center of the stereo image. Then I listened all the way through for any
flangeing or swishing and,
as long as the tape was in half-way decent shape (there was one reel so
badly warped that it was
hopeless), the transfers were a stereophonic success.
-- Tom Fine
----- Original Message -----
From: "Michael Biel" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, December 07, 2010 11:34 PM
Subject: Re: [ARSCLIST] "soundbook" Book-Records Inc, NY
From: Punto <[log in to unmask]>
> A few years back I posted to this list about some interesting Cook
LPs
> that were apparently stereo recording that used a separate groove for
> each channel and required two tonearms for playback. Does anyone out
> there have a working turntable fitted out to play these curiosities?
> Peter Hirsch
I've got about 30 or more of these Binaural records but still haven't
found a Cook arm or adapter. One of these days I should cobble one
together. I've got enough extra parts lying around. One of the dual
band records is a Wilbur deParis jazz album on Atlantic, and last year
I
also got a copy of the album in a regular stereo issue Atlantic did
about five years later. Cook also reissued some of the albums in
regular single-groove stereo, and put out one demo CD with a variety of
his early stereo tracks.
Mike Biel [log in to unmask]
On 12/7/2010 10:06 PM, Michael Biel wrote:
> In addition to being a record label, Emory Cook was also a recording
> engineer and recording service. There are a lot of Cook recordings
that
> were not on the Cook Records label.
>
>
> Mike Biel [log in to unmask]
>
>
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