From: Patent Tactics, George Brock-Nannestad
it pleases me no end to read about somebody doing something new for a change!
The 78 rpm format is just right for the field, because with the coarse
grooves there is no need to be hysterical about working in a dust-free
environment and in most cases not even about overloading the system. And now,
of course, we have mains electricity everywhere.
The increase in demand for lacquer records (we now know that they were
nitrocellulose lacquers, not cellulose acetate lacquers) might even lower the
price of masters from the suppliers to record mastering studios, to the
benefit of us all.
In 50-100 years time we shall have a real pickle, however, because we shall
then have to apply various forensic techniques to determine that your records
are what they are and not 70+ years older. However, that is what happens when
you start using technology that has been overtaken by technical development.
It is very interesting, philosophically, to consider that no-one will be able
to re-create MiniDisc recording 70 years after its heyday (if it ever had
one) 1) because probably no equipment can be made to function, and 2) nobody
will manufacture unrecorded magneto-optical MiniDiscs in 70 years. It all
speaks for going primitive.
My own experiences with re-creating early recording has concentrated on
acoustic disc recording, using Berliner etch-technology and Johnson cut wax
technology. However, I regularly use my better-than-a-portable-Presto lathe
for 78 rpm lacquers. My lathe is portable if you are two strong men - it has
Best wishes; I shall follow your website!
> We're recent new members, and just wanted to say hello to everyone on the
> list. We thought that there may be some folks interested in what we're up
> THE 78 PROJECT is a journey across America to record today´s musical artists
> as they perform the early American songs that inspired a century of popular
> music -- exactly as they were originally recorded, instantaneously, on
> one-of-a-kind 78rpm lacquer discs. Inspired by Alan Lomax and his quest to
> capture music where it lived throughout the early 20th Century, the series
> celebrates the artistry and craft that spontaneously captured America´s most
> authentic musical forms. With just one microphone, one authentic 1930's
> Presto direct-to-acetate disk recorder, and one blank lacquer disc,
> musicians are given an opportunity to make a recording anywhere they choose.
> What we have found is that the film, music and feelings that result defy
> space and time. You can see more of the project, hear acetates and more at
> our website (www.the78project.com), and you can also see all of our videos
> on our Vimeo page at: http://vimeo.com/the78project/videos.
> We welcome any thoughts, insights, feedback...
> Alex Steyermark & Lavinia Jones Wright
> The 78 Project
> The 78 Project | www.the78project.com
> [e] [log in to unmask]
> Breakthrough musicians on a journey to connect with the haunting recordings
> of the past...