As far as "
micro-editing" is concerned, I made many one sprocket edits/splices to get a wild track or loop line recorded after the production wrapped to fit the lips of the actor, so you can be very precise using 35mm mag.
--- On Wed, 4/25/12, Richard L. Hess <[log in to unmask]> wrote:
From: Richard L. Hess <[log in to unmask]>
Subject: Re: [ARSCLIST] "Life" IN recordings (or lack thereof), (was EMI, opera and 35mm?)
To: [log in to unmask]
Date: Wednesday, April 25, 2012, 12:47 PM
When reading this, it struck me that the lack of micro-editing might actually explain some of the "Life" in the MLP recordings.
On 2012-04-25 3:21 PM, Tom Fine wrote:
> Mercury, too, was not prone to make tiny-length inserts
-- Richard L. Hess email: [log in to unmask]
Aurora, Ontario, Canada (905) 713 6733 1-877-TAPE-FIX
Quality tape transfers -- even from hard-to-play tapes.