>____________
Permission denied here as well.  This is Canada.



>________________________________
> From: Carl Pultz <[log in to unmask]>
>To: [log in to unmask] 
>Sent: Saturday, September 29, 2012 10:23:04 AM
>Subject: Re: [ARSCLIST] Why Does Take 1 of Jimmy Lunceford's "White Heat" Sound This Way?
> 
>PERMISSION DENIED says mediananny. This is the USA.
>
>-----Original Message-----
>From: Association for Recorded Sound Discussion List
>[mailto:[log in to unmask]] On Behalf Of Milan P Milovanovic
>Sent: Saturday, September 29, 2012 10:15 AM
>To: [log in to unmask]
>Subject: Re: [ARSCLIST] Why Does Take 1 of Jimmy Lunceford's "White Heat"
>Sound This Way?
>
>Here is cleaner version of the very same take:
>
>http://www.mediafire.com/?fxidx912papc04b
>
>
>----- Original Message ----- 
>From: "Carl Pultz" <[log in to unmask]>
>To: <[log in to unmask]>
>Sent: Saturday, September 29, 2012 3:08 PM
>Subject: Re: [ARSCLIST] Why Does Take 1 of Jimmy Lunceford's "White Heat" 
>Sound This Way?
>
>
>> There's a lot going on there Dave, with the stereo LP dub adding some
>> artifacts. Do you mean the scrape-sounds that are modulated by loud peaks 
>> or
>> the sort of slap-back effect, most noticeable on the drums? Might help to
>> hear take 2.
>>
>> -----Original Message-----
>> From: Association for Recorded Sound Discussion List
>> [mailto:[log in to unmask]] On Behalf Of David Lewis
>> Sent: Saturday, September 29, 2012 8:11 AM
>> To: [log in to unmask]
>> Subject: [ARSCLIST] Why Does Take 1 of Jimmy Lunceford's "White Heat" 
>> Sound
>> This Way?
>>
>> I have parked a file of it here: 
>> https://www.box.com/s/6hq39rgxp0nd53pnty0n
>>
>> This comes from X LP LX 3002, which was issued in 1953. It is not one of
>> Ethel Gabriel's enthusiastically skewered "simulated stereo" remixes, but
>> this weird flanging effect is in the mono original.
>> I used to have a buff Bluebird that had this very take on it, and when I
>> listened to it, I would think "What in the world.....??"
>>
>> It sounds like it could have been the result of two mikes out of phase, or
>> two takes cut into the same platter, but if that was the case you'd hear
>> artifacts in the trumpet solo, not the case here. There
>> is a more common take 2 that sounds normal. Mx. is BS-81324 according to
>> the jacket notes of LX 3002, recorded 1-26-1934.
>>
>> Uncle Dave Lewis
>> Lebanon, OH 
>
>
>