This was also the way it was done at Criteria studios in Miami. Safe to say
that the interns hated every minute, second, and hour of this process. The
results were often remarkable, but the hours of labor was staggering to say
the least.
Cheers,
Scott Phillips
On Mon, Oct 1, 2012 at 12:13 PM, James Roth <[log in to unmask]> wrote:
> Hello all.
>
> In the 70's I work at "Club 99" [operatic reissue) records.
> I would use a razor blade and a splicing block to "de-click" the tape
> transfers of some very scratchy 78s.
> It would take about 3 hours to de-click a 4-minute aria - verrrrry tedious.
> Then, we would take the tape to our sound engineer in Manhattan, David
> Hancock (RIP) and he would so some expert EQ.
>
> Regards,
> Ben Roth
>
>
> -----Original Message-----
> From: Association for Recorded Sound Discussion List [mailto:
> [log in to unmask]] On Behalf Of Jan Myren
> Sent: Monday, October 01, 2012 12:22 PM
> To: [log in to unmask]
> Subject: [ARSCLIST] Reducing crackle from 78 rpm records the analogue way
> on 70's reissue LP's
>
>
>
>
>
> HI!
>
>
>
> I spent the week-end going through my collection of 70's and 80's
> compilation albums of old jazz records remastered by John R.T. Davies and
> Robert Parker.
>
>
>
> I must say I am a bit impressed by the way they were able to suppress
> noise and especially the crackle form the old 78's they used.
>
>
>
> May anybody remember (or know) how they did that and what kind of machines
> they used back in the analogue days?
>
>
>
> All the best
>
> Jan
>
--
Best Regards,
Scott Phillips
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