I have an Orinda pressing of Duke Ellington Orchestra with Diahann carroll
Limited Edition numbered 0168T -sounds fabulous ... what would be the actual
recording date of this session? It was issued in 1978-Mickey
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----- Original Message -----
From: "Carl Pultz" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, November 06, 2012 6:46 AM
Subject: Re: [ARSCLIST] Early digital recording history -- a couple of
> Tom, there was a number of sessions issued on Denon LPs and CDs,
> collaborations with Supraphon, and I think those began in the late '70s. I
> don't own any - they are in the library I managed at WXXI. Rather glassy
> sounding. Recall somehow that it was a 14bit system.
> I do have a few discs from a Shostakovich Symphony cycle issued by JVC in
> Japan, recorded in Moscow in 1983. Familiar, spectacular Melodia multi-mic
> production, with huge dynamics, and at least one burst of overs that can
> wreck your tweeters. The discs say "Digital Recording," and they do sound
> that way, but except for covers in English, all the notes are in Japanese.
> The first Melodia USSR produced CDs I saw were issued around 1990.
> This is in the classical realm, assuming it got the new tech first, but
> that's rather high-art centric. The first CD I heard was Born To Run.
> -----Original Message-----
> From: Association for Recorded Sound Discussion List
> [mailto:[log in to unmask]] On Behalf Of Tom Fine
> Sent: Tuesday, November 06, 2012 8:26 AM
> To: [log in to unmask]
> Subject: [ARSCLIST] Early digital recording history -- a couple of
> I think I posted part of this before, but here are a couple of followups
> my ARSCJ article, "The
> Dawn of Digital."
> 1. I finally found some printed matter to back up what I had been told
> DGG -- that they used
> the 3M system for their first digital recordings. DGG itself stated on its
> website what was its
> first all-digital commercially-released recording: LP 2532 001,
> Violin Concerto; Gidon
> Kremer, violin; Berlin Philharmonic conducted by Lorin Maazel. In an
> article in the January 1994
> issue of Studio Sound, regarding DGG's "4D" digital recording system,
> Francis Rumsey
> reported, "In the early years of digital multitrack, the 3M format was
> and one machine is
> still kept in working order to replay and transfer old tapes." The
> Kremer/Maazel recording took
> place in Berlin, 12/79.
> 2. Philips' first digital recording was actually made by Decca, and in the
> USA. The LP was Philips
> 9500 921, "Pops In Space," by John Williams and the Boston Pops. The
> original LP carried a banner
> boasting "FIRST Philips Digital Recording." The Soundstream system was
> and a Decca crew
> handled the recording, according to two former Philips engineers. Recorded
> 6/80 in Boston.
> 3. In the U.S., Telarc trail-blazed digital classical recording, using the
> Soundstream system,
> beginning in April 1978.
> According to the Whacky-Packia page on Columbia Records: "On May 5, 1979,
> Columbia Masterworks began
> digital recording in a recording session of Stravinsky's Petrouchka by the
> New York Philharmonic
> Orchestra, conducted by Zubin Mehta, in New York (using 3M's 32-channel
> multitrack digital
> NOTE -- CAN ANY COLUMBIA VETERANS OR HISTORIANS CONFIRM THIS INFORMATION?
> 4. I can't find anything definitive about RCA Red Seal and its first
> recording. JON SAMUELS,
> do you know the facts on this? When, where, who and what digital system
> used? I think but don't know
> for a fact that RCA used the Soundstream system at first, and probably
> their first recording in
> 5. Another avenue of inquiry I never pursued for the article but is of
> interest to me is, when did
> digital recording start behind the Iron Curtain? Who did what first,
> What system was used?
> Did the Russians clone a Western system or just buy the equipment for
> themselves? For that matter,
> when did the CD medium become widespread in the communist world, or did it
> happen after the wall
> -- Tom Fine