As I wrote before, while Karajan might qualify, I can't imagine Dorati being nearly as prolific as Albert Coates, Stokowski, Fiedler, Kousevitzky, Henry Wood or Malcolm Sargent.
Sent from my iPhone
On 2012-11-28, at 2:49 PM, Tom Fine <[log in to unmask]> wrote:
> Thanks Mike. Do you (or anyone else on-list) know what was, in fact, the most-recorded conductor? As I wrote before, Dorati and Karajan come to mind, but maybe some obscure guy laboring for budget-priced classics did more? Maybe Kostelonitz (sp?)?
> -- Tom Fine
> ----- Original Message ----- From: "Gray, Mike" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Wednesday, November 28, 2012 2:27 PM
> Subject: Re: [ARSCLIST] truth or myth -- RCA claims about first digital recording
>> Hype on both counts - Gene made violin records in the late 20s, though not so far as I know acoustic ones. After he got hooked up with Arthur Judson and became a conductor, he wanted everyone to forget he ever made them.