LISTSERV mailing list manager LISTSERV 16.0

Help for BIBFRAME Archives


BIBFRAME Archives

BIBFRAME Archives


[email protected]


View:

Message:

[

First

|

Previous

|

Next

|

Last

]

By Topic:

[

First

|

Previous

|

Next

|

Last

]

By Author:

[

First

|

Previous

|

Next

|

Last

]

Font:

Monospaced Font

LISTSERV Archives

LISTSERV Archives

BIBFRAME Home

BIBFRAME Home

BIBFRAME  January 2013

BIBFRAME January 2013

Subject:

Re: Bibframe, flexibility and FRBR

From:

"Leigh, Andrea" <[log in to unmask]>

Reply-To:

Bibliographic Framework Transition Initiative Forum <[log in to unmask]>

Date:

Thu, 10 Jan 2013 09:55:47 -0500

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (47 lines)

From an archival moving image perspective, it's not only creators/contributors that share common contextual relationships to the different versions of Blade Runner. For instance, an archive can hold pre-print material such as the original camera negative, masterpostive, interpositive, answer prints, etc. in addition to the theatrical projection prints that were exhibited in theaters. Then there are the sound components, any special effects, CGI, outtakes, trailers to market the film, etc. that were created post-production. These all encompass the raw materials that were used to edit and market the various versions of Blade Runner over the years that were never released as publications for the home market.

A significant challenge that we struggle with in moving image archives is documenting the various print and pre-print materials and relating them to their various versions. Typically it is done by associating multiple elements to a single work/expression. You can see this perspective by looking at standards such as the European CEN Cinematographic Works model (http://www.filmstandards.org/) and PBCore (pbcore.org), both inspired by FRBR that allow multiple filmographic elements to be associated with a single work/expression. This perspective seemingly is not accommodated in RDA, since RDA predominantly instructs catalogers to transcribe information from a single manifestation (publication), and I am having trouble imagining that this perspective of contextualzing multiple elements to a single work/expression is accommodated in Bibframe.

Andrea

----------------------

Andrea Leigh
Moving Image Processing Unit Head
Packard Campus for Audio Visual Conservation
19053 Mt. Pony Rd.
Culpeper, VA 22701
202.707.0852
[log in to unmask]
www.loc.gov/avconservation





-----Original Message-----
From: Bibliographic Framework Transition Initiative Forum [mailto:[log in to unmask]] On Behalf Of Eric Miller
Sent: Wednesday, January 09, 2013 3:26 PM
To: [log in to unmask]
Subject: Re: [BIBFRAME] Bibframe, flexibility and FRBR

On Jan 6, 2013, at 8:06 PM, Kelley McGrath <[log in to unmask]> wrote:


> The second case is when the expression isn't really a single independent variable (or couple of closely related ones such as French Dolby surround soundtrack), but rather a cluster of attributes that are inherently related and need to be reused together. For commercial videos, these are usually distinct intellectual or artistic versions (rather than things like dubbed soundtracks that are meant to be substitutions for accessibility). For example, a director's cut would usually have a duration associated with it and we might also know of a date or an editor. It might also need its own summary and would be connected to its own reviews or other annotations.
>
> Work Expression Manifestation
> Blade runner (1982) Final cut (2007) DVD (2007)
> 117 min. 2 discs
> Review: ISBN 9781419850028
> http://goo.gl/UgMQe OCLC# 173522015

Again an alternative interpretation of this is that Blade runner (the theatrical release) and Blade Runner (the extended / much better directors cut) are simply 2 different Works each of which share contextual relationships to common resources (actors, directors, etc. etc.). In the Work associated with the theatrical release, I would expect to see that Editor you mentioned.

In this case, the separation into different Works is important for several reasons, but one is simply they have very different Instances associated with them. The theatrical release came out in VHS, Beta, LaserDisc, etc. while the Directors cut was released later in DVD, BluRay, etc. I'm a bit embarrassed to say I have just about all of these ;)

--
Eric Miller
President, Zepheira "The Art of Data"
http://zepheira.com/ tel:+1.617.395.0229

Top of Message | Previous Page | Permalink

Advanced Options


Options

Log In

Log In

Get Password

Get Password


Search Archives

Search Archives


Subscribe or Unsubscribe

Subscribe or Unsubscribe


Archives

March 2024
February 2024
January 2024
December 2023
November 2023
October 2023
September 2023
August 2023
July 2023
June 2023
May 2023
April 2023
March 2023
February 2023
January 2023
December 2022
November 2022
October 2022
September 2022
August 2022
July 2022
June 2022
May 2022
April 2022
March 2022
February 2022
January 2022
December 2021
November 2021
October 2021
September 2021
August 2021
July 2021
June 2021
May 2021
April 2021
March 2021
February 2021
January 2021
December 2020
November 2020
October 2020
September 2020
August 2020
July 2020
June 2020
May 2020
April 2020
March 2020
February 2020
January 2020
December 2019
November 2019
October 2019
September 2019
August 2019
July 2019
June 2019
May 2019
April 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
July 2011
June 2011

ATOM RSS1 RSS2



LISTSERV.LOC.GOV

CataList Email List Search Powered by the LISTSERV Email List Manager