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ARSCLIST  February 2013

ARSCLIST February 2013

Subject:

Re: Red Vinyl - Franklin Mint

From:

Tom Fine <[log in to unmask]>

Reply-To:

Association for Recorded Sound Discussion List <[log in to unmask]>

Date:

Wed, 27 Feb 2013 09:48:38 -0500

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (805 lines)

Again, one man's opinions ...

If you want the more jazz-oriented side of jazz, stick with the Time-Life Giants of Jazz.

If you want the "sweet music" highly-arranged side of jazz-ish Swing music, stick with the Reader's 
Digest "nostalgia sets."

The Time-Life "Swing Era" re-creations come down toward the middle, more skewed toward "nostalgia" 
but with some very good up-tempo tunes in the mix. The advantage is high fidelity stereo recorded at 
Capitol Tower. The disadvantages were laid out by me previously.

The Franklin Mint sets appear to be similar to the Giants of Jazz but tend to cost more and probably 
skew more "nostalgia" than the jazz side of jazz, in some cases.

In the CD era, both Columbia and RCA put out some good single-disc and double-disc anthologies. 
GRP/Decca also put out some very good anthologies.

If you are looking for an overall survey of jazz music, get your feet wet and see about the 
different styles, here are one man's suggestions:

1. The current Smithsonian Anthology represents the very surface scratch of the latest academic 
thinking about jazz. It's a very shallow but wide dive, well remastered. Current political 
correctness and faux-politeness makes it very vanilla but it still contains a hell of a lot of good 
cuts, mostly well-known and "safe bets" (which in no way makes them less good music). You won't find 
a "safer" introduction to jazz that's not deathly boring. My main beef is that jazz wasn't supposed 
to be "safe" music, it was dangerous and radical. It was punk rock in its day, and it was above all 
fun, a release from a hard life. Formalized and of the academy or archive, it's not fun, it's a 
stuffed animal. The Smithsonian book text has almost no fun and ironic wink in it, but the selected 
music, especially from the older era, is of the jazz attitude. They also appear to have felt forced 
to include too much material from the very modern era, which are just faint reiterations of older, 
better music. And they completely left out funk-jazz/acid-jazz, as if it never existed (it sure 
accounted for a lot of record sales in the 60s and 70s, and it's probably the most-recycled/sampled 
genre of jazz music).

2. More idiosyncratic anthologies include the Riverside 4-CD, the Folkways multi-disc series and the 
older LP-era Smithsonian anthologies. You will still find many common, well-worn tunes in these 
collections, but there are more rarities and pets of the anthologizers scattered in, making the sets 
more fun and exciting. The Riverside anthology, especially, is interesting because Orin Keepnews and 
Bill Grauer didn't have access to Victor and Columbia material, so they came up with a much 
different recorded history of jazz, and they went at it differently. The CD booklet is a tiny 
reduction of the LP books, so you need to blow it up on a copier unless you have superb vision. Some 
of the Folkways material is really good and unique because they tracked down and recorded the last 
of the last originals of some genres and trends. The older Smithsonian anthologies were more the 
work of one somewhat idiosyncratic anthologizer, so they sound less of an academic committee but 
aren't as wide-ranging as the current version.

3. Label-specific anthologies can also be interesting, but you're making a dive that's more deep 
than wide, exploring jazz through the lens of one label or producer.

Any of the anthologies recommended above might offer you a wider pallet to explore.  You'll get 
better artist-specific material on the T-L Giants of Jazz albums, and perhaps Franklin Mint. If you 
_really_ love an artist, you can dive down to the last scrap of remaining recordings in Mosaic 
collections (you also get superb remastering and good booklets in classy packaging, for me the 
remastering is usually worth the price and the cutting-room floor stuff is ignored). The 
above-mentioned anthologies tend to stick close to the jazz side of jazz, but the better Swing and 
dance-band tunes are included here and there. There are also "jazz" pop crooners scattered here and 
there in these anthologies. But they are very different in composition and feeling from the 
"nostalgia" sets.

-- Tom Fine

----- Original Message ----- 
From: "Shai Drori" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Wednesday, February 27, 2013 8:47 AM
Subject: Re: [ARSCLIST] Red Vinyl - Franklin Mint


>I thought that the FM was made from the original recordings but on good vinyl. I'm interested in 
>both the  Big bands and the Jazz. I probably won't like all 100 discs but I'm open for suggestions.
> Shai
> בתאריך 27/02/13 3:14 PM, ציטוט Tom Fine:
>> If the Franklin Mint records are made from real 78s, they might be a better place to start. 
>> Re-creations, even using original charts, are just an echo of the real deal, in my opinion. 
>> However, there are plenty of original-issue big band cuts in the Giants of Jazz series from Time 
>> Life.
>>
>> It depends on how you like to apporach the topic -- as a genre, as a time period or by specific 
>> artists. For instance, in my case, I don't like the overly-orchestrated big-band stuff starting 
>> with Whiteman and going up through the Dorseys and Glenn Miller. But I love the faster, 
>> stronger-beat stuff like Count Basie, Fletcher Henderson, Duke Ellington and now I just got 
>> McKinny's Cotton Pickers CD and love that too. I always prefer no vocals to vocals in that era, 
>> so that narrows my taste further. A friend of mine with similar tastes took that whole Swing Era 
>> set and boiled it down to the faster, least-smarmy songs, ending up with about 4 hours of really 
>> good music (about 25% of total tunes). I then hunted down original versions of all of them, so we 
>> both can hear the songs by a Hollywood band in lush stereo from the Time-Life records or in 
>> original and somewhat better-played form in 78 era sound quality.
>>
>> The problem with sets that catered to the "nostalgia" market in the 70s is that the WWII 
>> generation was old and wanted to hear "Sentimental Journey," not "Jumpin' At the Woodside." The 
>> smarmy stuff has always sounded outdated and irrelevant to me. Meanwhile, the up-tempo stuff had 
>> survived and was still being played, including by my own high school jazz band. We'd have 
>> "nostalgia night" dinner-dances and have to play the awful slow stuff, but that was the price of 
>> entree to learn the good stuff. I was friends with one of the drummers in our band and he always 
>> joked about how he had to think about a cool stream in the woods so as not to rush through the 
>> boring slow tunes. Just not something of our generation. The up-tempo stuff is still very 
>> relevant today because it's all about the beat and the riff. It's directly connected to original 
>> jazz music whereas the smarmy stuff is more connected to parlor music from the Victorian era. One 
>> man's tastes ...
>>
>> I'll also say that Time-Life did a much better job re-creating the music of the 30's and 40's 
>> than, for instance Longines Symphonette or Enoch Light in the Grand Award days. Billy May in the 
>> early 60s was one of the early guys to go back and get the real-deal charts from the old "books" 
>> of the great bands, and then use a crack Hollywood studio band to re-create the music. If he 
>> couldn't get the original charts, he listened over and over to the original recordings and wrote 
>> out the parts. It works about 85%, in my opinion. The main things you lose are the most 
>> outstanding soloists (face it, there's only one Coleman Hawkins, Lester Young, Chu Berry, Gene 
>> Krupa, Benny Goodman, etc) and the tightness of the old bands who played together night after 
>> night and were in top touring form when they'd make a day stop at a recording studio. Hollywood 
>> studio musicians can't replicate that, no matter how good their chops.
>>
>> -- Tom Fine
>>
>> ----- Original Message ----- From: "Shai Drori" <[log in to unmask]>
>> To: <[log in to unmask]>
>> Sent: Wednesday, February 27, 2013 7:39 AM
>> Subject: Re: [ARSCLIST] Red Vinyl - Franklin Mint
>>
>>
>>> I see. I was actually looking at the big band collection. It's something that I enjoy but never 
>>> had any, aside from some 78's in my collection. For someone like me that is looking for an 
>>> introduction to big bands or Jazz I thought this would be a good starter collection. I will look 
>>> into time life.
>>> Shai
>>> בתאריך 27/02/13 1:50 PM, ציטוט Tom Fine:
>>>> I'm not sure about the Franklin Mint details. If you find old US magazines from the 70s, there 
>>>> will be ads for them.
>>>>
>>>> Franklin Mint and Reader's Digest sets are what I avoid. They just clutter shelves, in my 
>>>> opinion. Whatever good material was in there has been reissued on CD or the original LP is more 
>>>> appealing. There may be some obscure completist stuff in there that hasn't been reissued, but 
>>>> that's not my bag. I'm more a collector than an accumulator.
>>>>
>>>> Time-Life sets, at least the jazz ones, are different animals. I've grabbed up quite a few of 
>>>> the Giants of Jazz series because as I said previously, very nice books and fun compilations. 
>>>> Since I'm not a collector of all those artists, in some cases these sets are my exposure to the 
>>>> artist, and they are pretty thorough anthologies vs. a 1-LP budget priced "greatest hits" with 
>>>> little descriptive text (or worse, a set of MP3 downloads with no text).
>>>>
>>>> The other good set T-L did was "The Swing Era," which was partially a reissue of cuts from the 
>>>> series of Billy May big band albums from Capitol in the early stereo days and also a lot of new 
>>>> material recorded by Capitol. The hardcover books are very good historical documents, putting 
>>>> swing-jazz in context to the rapid cultural, economic and industrial changes of the time 
>>>> period, with plenty of kewl Life and Time photos. That said, don't pay too much for those 
>>>> records because in just about every case, the original 78 record is better in every way except 
>>>> not being hifi stereo vs these remakes. I used the Swing Era sequences as a guide and created 
>>>> iPod playlists of the original tunes, which then makes reading the book all the more enjoyable 
>>>> because like I said, a Hollywood studio band in the Capitol Tower (working with the original 
>>>> band books, to their credit) ain't Fletcher Henderson, Count Basie or Benny Goodman in their 
>>>> primes.
>>>>
>>>> Finally, in my opinion, the best Time-Life product of them all, not a music product, is "To The 
>>>> Moon," a 6-LP book and record set produced by Mickey Kapp. I have yet to find a better 
>>>> aural/pictorial history of the U.S. space program up to the moon landing. You find this cheap 
>>>> all over the place, but often the records have been more than well-loved (ie they are shot). 
>>>> The book seems to hold up well to being appreciated.
>>>>
>>>> -- Tom Fine
>>>>
>>>> PS -- I also like the CD-era Time Life R&B series, but putting one year per CD means lots of 
>>>> fluff in some years. There was a short time when T-L was clearing inventory and these could be 
>>>> had for a buck each online, so I bought the whole series. I ended up giving away most of the 
>>>> 1960s years because I already had all the songs that I liked on other discs or records.
>>>>
>>>>
>>>> ----- Original Message ----- From: "Shai Drori" <[log in to unmask]>
>>>> To: <[log in to unmask]>
>>>> Sent: Tuesday, February 26, 2013 3:54 PM
>>>> Subject: Re: [ARSCLIST] Red Vinyl - Franklin Mint
>>>>
>>>>
>>>>> Never know about this collection. Is this 100 Jazz, 100 classical, 100 country, 100 big band? 
>>>>> Or was this 100 lp's total?
>>>>> Shai
>>>>> בתאריך 26/02/13 4:59 PM, ציטוט Tom Fine:
>>>>>> It seems like most of these recordings were still in print during the Franklin Mint heyday. 
>>>>>> So why would someone pay a premium price for Franklin records? I never understood that 
>>>>>> business, but they managed to stick around for quite a while. I could better understand the 
>>>>>> Time-Life sets, where they broke up DGG albums into bits and pieces to follow a theme (ie a 
>>>>>> certain composer or a certain time period in music).
>>>>>>
>>>>>> Remember the Time-Life advertising Evatone Soundsheets that were inserted into all manner of 
>>>>>> magazines back in the day? I still have the one for the Jazz series, with voice-over by Earl 
>>>>>> "Fatha" Hines. And BTW, for the casual jazz listener, those silver-box Time-Life sets can be 
>>>>>> found dirt-cheap all over the place. They are quite good anthologies, with informative 
>>>>>> biography/discogrpahy books and music spanning the entire career of the artist. Mastering was 
>>>>>> usually done by Frank Abbey. It's not a deep-dive like a Mosaic box set, but it will 
>>>>>> thoroughly introduce you to the artist. Many that you find dirt-cheap have not been 
>>>>>> over-played. I get the sense that all these subscription records just piled up in homes until 
>>>>>> the wife put her foot down and stopped the subscription. The analogy for a music-business 
>>>>>> person was the monthly NARAS order list -- prices just low enough to buy all sorts of stuff 
>>>>>> you never got to listen to or your listened once and decided it sucked.
>>>>>>
>>>>>> I guess the Franklin reissues were appealing to the same shelf-look as the leatherbound 
>>>>>> "literary classics" books sold by subscriptions for 10x the price of the same words in 
>>>>>> paperback.
>>>>>>
>>>>>> -- Tom Fine
>>>>>>
>>>>>> ----- Original Message ----- From: "Leo Gillis" <[log in to unmask]>
>>>>>> To: <[log in to unmask]>
>>>>>> Sent: Tuesday, February 26, 2013 12:41 AM
>>>>>> Subject: Re: [ARSCLIST] Red Vinyl - Franklin Mint
>>>>>>
>>>>>>
>>>>>> Yes, the vinyl is a sort of brownish red. Not sure who did the pressings - some liner notes 
>>>>>> seem to
>>>>>> indicate certain discs were 'manufactured' by London records. I'm sure someone here knows the
>>>>>> answer. The pressings are very good - quiet, on heavy virgin vinyl.
>>>>>>
>>>>>> For the record, the complete list of titles and tracks is given below. There's a good amount 
>>>>>> of LSC,
>>>>>> but also a lot of Decca stuff as well.
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> 1 A
>>>>>> Tchaikovsky / Fiedler / Boston Pops The Nutcracker: Suite
>>>>>> 1 B
>>>>>> Bizet / Munch / New Philharmonia Orchestra Carmen: Suite
>>>>>> 2 A
>>>>>> Dvorak / Toscanini / NBC Symphony Symphony No. 9 in E Minor, Op. 95 ("From the New World")
>>>>>> 2 B
>>>>>> Dvorak / Toscanini / NBC Symphony Symphony No. 9 in E Minor, Op. 95 ("From the New World")
>>>>>> 3 A
>>>>>> Beethoven / Serkin / Ormandy / Philadelphia Orchestra Piano Concerto No. 4 in G Major, Op. 58
>>>>>> 3 B
>>>>>> Beethoven / Serkin / Ormandy / Philadelphia Orchestra Piano Concerto No. 4 in G Major, Op. 58
>>>>>> 3 B
>>>>>> Mendelssohn / Serkin / Ormandy / Philadelphia Orchestra Capriccio Brillant for Piano & 
>>>>>> Orchestra,
>>>>>> Op. 22
>>>>>> 4 A
>>>>>> Mozart / Stern / Szell / Columbia Symphony Violin Concerto No. 5 in A Major, K. 219 
>>>>>> (Turkish")
>>>>>> 4 B
>>>>>> Mozart / Schnabel / Sargent / London Symphony Piano Concerto No. 21 in C Major, K. 467
>>>>>> 5 A
>>>>>> Shostakovich / Ormandy / Philadelphia Orchestra Symphony No. 1 in F Major, Op. 10
>>>>>> 5 B
>>>>>> Ravel / Boulez / New York Philharmonic Ma Mere L'Oye ("Mother Goose")
>>>>>> 6 A
>>>>>> Bernstein / New York Philharmonic Fancy Free
>>>>>> 6 B
>>>>>> Bernstein / New York Philharmonic Symphonic Dances from West Side Story / Overture to Candide
>>>>>> 7 A
>>>>>> Beethoven / Klemperer / Philharmonic Orchestra Symphony No. 3 in E-flat Major, Op. 55 
>>>>>> ("Erocia")
>>>>>> 7 B
>>>>>> Beethoven / Klemperer / Philharmonic Orchestra Symphony No. 3 in E-flat Major, Op. 55 
>>>>>> ("Erocia")
>>>>>> 8 A
>>>>>> Beethoven / Beecham / Royal Philharmonic Symphony No. 2 in D Major, Op. 36
>>>>>> 8 B
>>>>>> Beethoven / Casals / Marlboro Festival Orchestra Symphony No. 8 in F Major, Op. 93
>>>>>> 9 A
>>>>>> Rimsky-Korsakov / Beecham / Royal Philharmonic Scheherazade: Symphonic Suite, Op. 35
>>>>>> 9 B
>>>>>> Rimsky-Korsakov / Beecham / Royal Philharmonic Scheherazade: Symphonic Suite, Op. 35
>>>>>> 10 A
>>>>>> Ravel / Martinon / Orchestre de Paris Bolero
>>>>>> 10 A
>>>>>> Chabrier / Beecham / Royal Philharmonic Espana
>>>>>> 10 B
>>>>>> Tchaikovsky / Dorati / Minneapolis Symphony 1812 Ouverture Solennelle, Op. 49
>>>>>> 10 B
>>>>>> Sibelius / Barbirolli / Halle Orchestra Finlandia, Op. 26
>>>>>> 11 A
>>>>>> Schumann / Horowitz Kinderscenen, Op. 15 ("Scenes from Childhood")
>>>>>> 11 B
>>>>>> Schumann / Horowitz Kinderscenen, Op. 16
>>>>>> 12 A
>>>>>> Chopin / Horowitz Piano Sonata No. 2 in B-flat Minor, Op. 35
>>>>>> 12 B
>>>>>> Liszt / Horowitz Hungarian Rhapsody No. 19
>>>>>> 12 B
>>>>>> Rachmaninoff / Horowitz Moment Musical in B Minor, Op. 16
>>>>>> 12 B
>>>>>> Rachmaninoff / Horowitz Prelude in G-sharp Minor, Op. 32
>>>>>> 12 B
>>>>>> Rachmaninoff / Horowitz Etude-Tableau in E-flat Minor, Op. 39, No. 5
>>>>>> 13 A
>>>>>> Verdi / Price / Elias / Bjoerling / Tozzi / Reiner / Vienna Philharmonic Requiem
>>>>>> 13 B
>>>>>> Verdi / Price / Elias / Bjoerling / Tozzi / Reiner / Vienna Philharmonic Requiem
>>>>>> 14 A
>>>>>> Verdi / Price / Elias / Bjoerling / Tozzi / Reiner / Vienna Philharmonic Requiem
>>>>>> 14 B
>>>>>> Verdi / Price / Elias / Bjoerling / Tozzi / Reiner / Vienna Philharmonic Requiem
>>>>>> 15 A
>>>>>> R. Strauss / Reiner / Chicago Symphony Also Sprach Zarathustra, Op. 30
>>>>>> 15 B
>>>>>> R. Strauss / Reiner / Chicago Symphony Don Juan, Op. 20
>>>>>> 16 A
>>>>>> R. Strauss / Ormandy / Philadelphia Orchestra Ein Heldenleben, Op. 40 ("A Hero's Life")
>>>>>> 16 B
>>>>>> R. Strauss / Ormandy / Philadelphia Orchestra Ein Heldenleben, Op. 40 ("A Hero's Life")
>>>>>> 17 A
>>>>>> Liszt / Watts / Leinsdorf / London Symphony Todtentanz for Piano & Orchestra
>>>>>> 17 B
>>>>>> Franck / Watts / Leinsdorf / London Symphony Symphonic Variations for Piano & Orchestra
>>>>>> 18 A
>>>>>> Ravel / de Larrocha / Foster / London Philharmonic Piano Concerto in G Major
>>>>>> 18 B
>>>>>> Dohnanyi / Boult / Royal Philharmonic Variations on a Nursery Tune, Op. 25
>>>>>> 19 A
>>>>>> Ives / Stokowski / American Symphony Orchestra Symphony No. 4
>>>>>> 19 B
>>>>>> Ives / Stokowski / American Symphony Orchestra Symphony No. 4
>>>>>> 19 B
>>>>>> Ives / Bernstein / New York Philharmonic The Fourth of July
>>>>>> 20 A
>>>>>> Gershwin / Bernstein / New York Philharmonic Rhapsody in Blue
>>>>>> 20 B
>>>>>> Gershwin / Bernstein / New York Philharmonic An American in Paris
>>>>>> 21 A
>>>>>> Verdi / Caruso "Celeste Aida" from Aida, Act I
>>>>>> 21 A
>>>>>> Verdi / Caruso / Sembrich / Scotti / Severina "Bella figlia dell'amore" from Rigoletto, Act 
>>>>>> IV
>>>>>> 21 A
>>>>>> Leoncavallo / Caruso "Vesti la Giubba" from I Pagliacci, Act I
>>>>>> 21 A
>>>>>> Bellini / Ponselle / Metropolitan Opera Chorus "Sediziose voci; Casta diva" from Norma, Act I
>>>>>> 21 A
>>>>>> Verdi / Ponselle / Martinelli Tomb Scene: "La fatal pietra; O terra, addio" from Aida, Act 
>>>>>> IVSide
>>>>>> B: Mozart / Pinza
>>>>>> 21 A
>>>>>> Verdi / Ponselle / Martinelli "Finch' han dal vino" from Don Giovanni, Act I
>>>>>> 21 A
>>>>>> Verdi / Ponselle / Martinelli Serenata: "Deh, vieni alla finestra" from Don Giovanni, Act II
>>>>>> 21 B
>>>>>> Charpentier / Maynor "Depuis le jour" from Louise, Act III
>>>>>> 21 B
>>>>>> Mussorgsky / Chaliapin "I have attained the highest power" from Boris Godunov, Act II
>>>>>> 21 B
>>>>>> Mussorgsky / Chaliapin "Ah, I am sitting" from Boris Godunov, Act II
>>>>>> 21 B
>>>>>> Mussorgsky / Chaliapin Farewell, Prayer and Death of Boris from Boris Godunov, Act IV
>>>>>> 22 A
>>>>>> Wagner / Melchoir / Ormandy / Philadelphia Orchestra Forging Song: "Nothung! Nothung!" from
>>>>>> Siegfried, Act I
>>>>>> 22 A
>>>>>> Wagner / Traubel / Melchior / Toscanini / NBC Symphony "Ein Schwert verhiess mir der Vater" 
>>>>>> from
>>>>>> Die Walkure, Act I, Scene 3Side B: Wagner / Flagstad / Furtwangler / Philharmonia Orchestra
>>>>>> 22 A
>>>>>> Wagner / Traubel / Melchior / Toscanini / NBC Symphony Immolation Scene from Gotterdammerung, 
>>>>>> Act
>>>>>> III
>>>>>> 22 B
>>>>>> Wagner / Farrell / Munch / Boston Symphony Liebestod from Tristan und Isolde, Act III
>>>>>> 23 A
>>>>>> Berlioz / Beecham / Royal Philharmonic Royal Hunt and Storm from Les Troyens
>>>>>> 23 A
>>>>>> Mussorgsky / Stokowski / London Symphony Night on Bald Mountain
>>>>>> 23 B
>>>>>> Borodin / Solti / London Symphony Overture and Polovtsian Dances from Prince Igor
>>>>>> 24 A
>>>>>> Offenbach / Fiedler / Boston Pops Gaite Parisienne
>>>>>> 24 B
>>>>>> Offenbach / Fiedler / Boston Pops Gaite Parisienne
>>>>>> 25 A
>>>>>> Sibelius / Heifetz / Beecham / London Philharmonic Violin Concerto in D Minor, Op. 47
>>>>>> 25 B
>>>>>> Rachmaninoff / Rubinstein / Reiner / Chicago Symphony Rhapsody on a Theme of Paganini for 
>>>>>> Piano &
>>>>>> Orchestra, Op. 43
>>>>>> 26 A
>>>>>> Rachmaninoff / Ashkenazy / Ormandy / Philadelphia Orchestra Piano Concerto No. 3 in D Minor, 
>>>>>> Op. 30
>>>>>> 26 B
>>>>>> Rachmaninoff / Ashkenazy / Ormandy / Philadelphia Orchestra Piano Concerto No. 3 in D Minor, 
>>>>>> Op. 30
>>>>>> 27 A
>>>>>> Handel / Marriner / Academy of St. Martin-in-the-Fields Music for the Royal Fireworks
>>>>>> 27 B
>>>>>> Handel / Briggs / Boult / London Philharmonic Organ Concerto No. 13 in F Major ("The Cuckoo 
>>>>>> and the
>>>>>> Nightingale")
>>>>>> 27 B
>>>>>> Haydn / Andre / Guschlbauer / Bamberg Symphony Orchestra Trumpet Concerto in E-flatRecord 28:
>>>>>> 28 A
>>>>>> Holst / Boult / New Philharmonia Orchestra The Planets, Op. 32
>>>>>> 28 B
>>>>>> Holst / Boult / New Philharmonia Orchestra The Planets, Op. 32
>>>>>> 29 A
>>>>>> Elgar / Menuhin / London Symphony Violin Concerto in B Minor, Op. 61
>>>>>> 29 B
>>>>>> Elgar / Menuhin / London Symphony Violin Concerto in B Minor, Op. 61
>>>>>> 30 A
>>>>>> Khacharurian / Oistrakh / Moscow Radio Symphony Orchestra Violin Concerto in D Minor
>>>>>> 30 B
>>>>>> Khacharurian / Oistrakh / Moscow Radio Symphony Orchestra Violin Concerto in D Minor
>>>>>> 31 A
>>>>>> Delibes / Monteux / Boston Symphony Sylvia (Excerpts)
>>>>>> 31 B
>>>>>> Debussy / Monteux / Boston Symphony Nocturnes
>>>>>> 32 A
>>>>>> Ravel / Monteux / London Symphony / Chorus of the Royal Opera House Daphnis et Chloe
>>>>>> 32 B
>>>>>> Ravel / Monteux / London Symphony / Chorus of the Royal Opera House Daphnis et Chloe
>>>>>> 33 A
>>>>>> Beethoven / Serkin / Bernstein / New York Philharmonic Piano Concerto No. 5 in E-flat, Op. 73
>>>>>> 33 B
>>>>>> Beethoven / Serkin / Bernstein / New York Philharmonic Piano Concerto No. 5 in E-flat, Op. 73
>>>>>> 34 A
>>>>>> Schubert / Krips / London Symphony Symphony No. 9 in C Major ("The Great")
>>>>>> 34 B
>>>>>> Schubert / Krips / London Symphony Symphony No. 9 in C Major ("The Great")
>>>>>> 35 A
>>>>>> Bach / Britten / English Chamber Orchestra Brandenburg Concerto No. 2 in F Major, BWV 1047
>>>>>> 35 A
>>>>>> Bach / Britten / English Chamber Orchestra Brandenburg Concerto No. 3 in g Major, BWV 1048
>>>>>> 35 B
>>>>>> Bach / Britten / English Chamber Orchestra Brandenburg Concerto No. 5 in D Major, BWV 1050
>>>>>> 36 A
>>>>>> Vivaldi / Zukerman / English Chamber Orchestra The Four Seasons, Op. 8
>>>>>> 36 B
>>>>>> Vivaldi / Zukerman / English Chamber Orchestra The Four Seasons, Op. 8
>>>>>> 37 A
>>>>>> Brahms / Karajan / Vienna Philharmonic Symphony No. 1 in C Minor, Op. 68
>>>>>> 37 B
>>>>>> Brahms / Karajan / Vienna Philharmonic Symphony No. 1 in C Minor, Op. 68
>>>>>> 38 A
>>>>>> Haydn / Szell / Cleveland Orchestra Symphony No. 95 in C Minor
>>>>>> 38 B
>>>>>> Haydn / Szell / Cleveland Orchestra Symphony No. 96 in D Major ("Miracle")
>>>>>> 39 A
>>>>>> Tchaikovsky / Szell / London Symphony Symphony No. 4 in F Minor, Op. 36
>>>>>> 39 B
>>>>>> Tchaikovsky / Szell / London Symphony Symphony No. 4 in F Minor, Op. 36
>>>>>> 40 A
>>>>>> Tchaikovsky / Stokowski / New Philharmonia Orchestra Symphony No. 5 in E Minor, Op. 64
>>>>>> 40 B
>>>>>> Tchaikovsky / Stokowski / New Philharmonia Orchestra Symphony No. 5 in E Minor, Op. 64
>>>>>> 41 A
>>>>>> Dvorak / Casals / Szell / Czech Philharmonic Cello Concerto in B Minor, Op. 104
>>>>>> 41 B
>>>>>> Dvorak / Casals / Szell / Czech Philharmonic Cello Concerto in B Minor, Op. 104
>>>>>> 41 B
>>>>>> Mozart / Brian / Karajan / Philharmonia Orchestra Horn Concerto No. 3 in E-flat, K. 447
>>>>>> 42 A
>>>>>> Brahms / Curzon / Szell / London Symphony Piano Concerto No. 1 in D Minor, Op. 15
>>>>>> 42 B
>>>>>> Brahms / Curzon / Szell / London Symphony Piano Concerto No. 1 in D Minor, Op. 15
>>>>>> 43 A
>>>>>> Mozart / Szell / Cleveland Orchestra Symphony No. 40 in G Minor, K. 550
>>>>>> 43 B
>>>>>> Schubert / Beecham / Royal Philharmonic Symphony No. 5 in B-flat Major
>>>>>> 44 A
>>>>>> Bizet / Rodzinski / New York Philharmonic Symphony in C Major
>>>>>> 44 B
>>>>>> Mendelssohn / Casals / Marlboro Festival Orchestra Symphony No. 4 in A Major, Op. 90 
>>>>>> ("Italian")
>>>>>> 45 A
>>>>>> Mozart / Toscanini / NBC Symphony Symphony No. 41 in C Major, K. 551
>>>>>> 45 B
>>>>>> Debussy / Toscanini / NBC Symphony La Mer
>>>>>> 46 A
>>>>>> Mussorgsky / Horowitz Pictures at an Exhibition (Edited by Vladimir Horowitz)
>>>>>> 46 B
>>>>>> Mussorgsky / Toscanini / NBC Symphony Pictures at an Exhibition (Orchestrated by Maurice 
>>>>>> Ravel)
>>>>>> 47 A
>>>>>> Wagner / Szell / Cleveland Orchestra Great Orchestral Highlights from The Ring of the 
>>>>>> Nibelungs
>>>>>> 47 B
>>>>>> Wagner / Szell / Cleveland Orchestra Great Orchestral Highlights from The Ring of the 
>>>>>> Nibelungs
>>>>>> 48 A
>>>>>> Stravinsky / Columbia Symphony The Firebird
>>>>>> 48 B
>>>>>> Stravinsky / Columbia Symphony The Firebird
>>>>>> 49 A
>>>>>> J. Strauss / Boskovsky / Vienna Philharmonic The Blue Danube, Op. 314
>>>>>> 49 A
>>>>>> J. Strauss / Boskovsky / Vienna Philharmonic Emperor Waltz, Op. 437
>>>>>> 49 A
>>>>>> J. Strauss / Boskovsky / Vienna Philharmonic Tritsch-Tratsch, Op. 214 (Polka)
>>>>>> 49 B
>>>>>> J. Strauss / Fiedler / Boston Pops Overture to Die Fledermaus
>>>>>> 49 B
>>>>>> J. Strauss / Fiedler / Boston Pops Tales from the Vienna Woods, Op. 325
>>>>>> 49 B
>>>>>> J. Strauss / Fiedler / Boston Pops Overture to The Gypsy Baron
>>>>>> 50 A
>>>>>> Beehthoven / Szell / Cleveland Orchestra Leonore Overture No. 3, Op. 72a
>>>>>> 50 A
>>>>>> Mendelssohn / Szell / Cleveland Orchestra A Midsummer Night's Dream, Op. 21 (Overture)Side B: 
>>>>>> Weber
>>>>>> / Toscanini / NBC Symphony
>>>>>> 50 A
>>>>>> Mendelssohn / Szell / Cleveland Orchestra Overture to Der Freischutz
>>>>>> 50 B
>>>>>> Weber / Solti / Chicago Symphony Overture to Oberon
>>>>>> 50 B
>>>>>> Brahms / Beecham / Royal Philharmonic Academic Festival Overture, Op. 80
>>>>>> 51 A
>>>>>> Britten / Vishnevskaya / Pears / Fischer-Dieskau / London Symphony War Requiem, Op. 66
>>>>>> 51 B
>>>>>> Britten / Vishnevskaya / Pears / Fischer-Dieskau / London Symphony War Requiem, Op. 66
>>>>>> 52 A
>>>>>> Britten / Vishnevskaya / Pears / Fischer-Dieskau / London Symphony War Requiem, Op. 66
>>>>>> 52 B
>>>>>> Britten / Vishnevskaya / Pears / Fischer-Dieskau / London Symphony War Requiem, Op. 66
>>>>>> 53 A
>>>>>> Schubert / Schnabel / Pro Arte Quartet Piano Quintet in A Major, Op. 114 ("Trout")
>>>>>> 53 B
>>>>>> Schubert / Schnabel / Pro Arte Quartet Piano Quintet in A Major, Op. 114 ("Trout")
>>>>>> 54 A
>>>>>> Schubert / Stern / Rose / Istomin Trio No. 1 in B-flat Major for Piano, Violin and Cello, Op. 
>>>>>> 99
>>>>>> 54 B
>>>>>> Schubert / Stern / Rose / Istomin Trio No. 1 in B-flat Major for Piano, Violin and Cello, Op. 
>>>>>> 99
>>>>>> 55 A
>>>>>> Vaughan Williams / Boult / London Philharmonic Fantasia on a Theme by Thomas Tallis
>>>>>> 55 A
>>>>>> Delius/ Beecham / Royal Philharmonic Brigg Fair: An English Rhapsody
>>>>>> 55 B
>>>>>> Elgar / Barenboim / London Philharmonic Enigma Variations, Op. 36
>>>>>> 56 A
>>>>>> Sibelius / Barbirolli / Halle Orchestra Symphony No. 2 in D Major, Op. 43
>>>>>> 56 B
>>>>>> Sibelius / Barbirolli / Halle Orchestra Symphony No. 2 in D Major, Op. 43
>>>>>> 56 B
>>>>>> Sibelius / Barbirolli / Halle Orchestra The Swan of Tuonela (Lemminkainen Legend, Op. 22 No. 
>>>>>> 3)
>>>>>> 57 A
>>>>>> Ravel / Rubinstein Valses Nobles et Sentimentales
>>>>>> 57 A
>>>>>> Chopin / Rubinstein Polonaise No. 6 in A-flat, Op. 53
>>>>>> 57 B
>>>>>> Grieg / Rubinstein Lyric Pieces
>>>>>> 58 A
>>>>>> Chopin / Rubinstein / Ormandy / Philadelphia Orchestra Piano Concerto No. 2 in F Minor, Op. 
>>>>>> 21
>>>>>> 58 B
>>>>>> Saint-Saens / Rubinstein / Ormandy / Philadelphia Orchestra Piano Concerto No. 2 in G Minor, 
>>>>>> Op. 22
>>>>>> 58 B
>>>>>> Chabrier / Rubinstein / Ormandy / Philadelphia Orchestra Scherzo-Valse
>>>>>> 59 A
>>>>>> Beethoven / Walter / Columbia Symphony Symphony No. 6 in F Major, Op. 68 ("Pastoral")
>>>>>> 59 B
>>>>>> Beethoven / Walter / Columbia Symphony Symphony No. 6 in F Major, Op. 68 ("Pastoral")
>>>>>> 60 A
>>>>>> Mahler / Walter / Columbia Symphony Symphony No. 1 in D Major, Op. 68 ("The Titan")
>>>>>> 60 B
>>>>>> Mahler / Walter / Columbia Symphony Symphony No. 1 in D Major, Op. 68 ("The Titan")
>>>>>> 61 A
>>>>>> Harris / Ormandy / Philadelphia Orchestra Symphony No. 3 (In One Movement)
>>>>>> 61 B
>>>>>> Hindemith / Ormandy / Philadelphia Orchestra Mathis der Maler
>>>>>> 62 A
>>>>>> Prokofiev / Hale / Koussevitzky / Boston Symphony Peter and the Wold, Op. 67
>>>>>> 62 B
>>>>>> Prokifiev / Koussevitzky / Boston Symphony Classical Symphony in D Major, Op. 25
>>>>>> 62 B
>>>>>> Prokifiev / Koussevitzky / Boston Symphony Lieutenant Kije, Op. 60
>>>>>> 63 A
>>>>>> Brahms / Richter / Leinsdorf / Chicago Symphony Piano Concerto No. 2 in B-flat, Op. 83
>>>>>> 63 B
>>>>>> Brahms / Richter / Leinsdorf / Chicago Symphony Piano Concerto No. 2 in B-flat, Op. 83
>>>>>> 64 A
>>>>>> Brahms / Kreisler / Blech / Orchestra of the Berlin State Opera Violin Concerto in D, Op. 77
>>>>>> 64 B
>>>>>> Brahms / Kreisler / Blech / Orchestra of the Berlin State Opera Violin Concerto in D, Op. 77
>>>>>> 64 B
>>>>>> Brahms / Toscanini / BBC Symphony Tragic Overture, Op. 81
>>>>>> 65 A
>>>>>> Franck / Monteux / Chicago Symphony Symphony in D Minor
>>>>>> 65 B
>>>>>> Franck / Monteux / Chicago Symphony Symphony in D Minor
>>>>>> 66 A
>>>>>> Grieg / Beecham / Royal Philharmonic Music from Peer Gynt
>>>>>> 66 B
>>>>>> Grieg / Beecham / Royal Philharmonic Music from Peer Gynt
>>>>>> 67 A
>>>>>> Bach / Landowska Goldberg Variations (Aria and 30 Variations)
>>>>>> 67 B
>>>>>> Bach / Landowska Goldberg Variations (Aria and 30 Variations)
>>>>>> 68 A
>>>>>> Monteverdi / Boulanger "Hor che'l ciel e la terra"
>>>>>> 68 A
>>>>>> Monteverdi / Boulanger "Lasciatemi morire"
>>>>>> 68 A
>>>>>> Monteverdi / Boulanger "Zefiro torna"
>>>>>> 68 A
>>>>>> Monteverdi / Boulanger "Ardo"
>>>>>> 68 B
>>>>>> Monteverdi / Boulanger "Ohime dov'e il mio ben?"
>>>>>> 68 B
>>>>>> Monteverdi / Boulanger "Chiome d'oro"
>>>>>> 68 B
>>>>>> Monteverdi / Boulanger "ll balo dell' ingrate"
>>>>>> 68 B
>>>>>> Monteverdi / Boulanger "Amor (Lamento della Ninfa)
>>>>>> 68 B
>>>>>> Monteverdi / Boulanger "Ecco mormorar i'onde"
>>>>>> 69 A
>>>>>> Rachmaninoff / Stokowski / Philadelphia Orchestra Piano Concerto No. 2 in C Minor, Op. 18
>>>>>> 69 B
>>>>>> Prokofiev / Coppola / London Symphony Piano Concerto No. 3 in C Major, Op. 26
>>>>>> 70 A
>>>>>> Brahms / Oistrakh / Rostropovich / Szell / Cleveland Orchestra Double Concerto in A Minor, 
>>>>>> Op. 102
>>>>>> 70 B
>>>>>> Brahms / Oistrakh / Rostropovich / Szell / Cleveland Orchestra Double Concerto in A Minor, 
>>>>>> Op. 102
>>>>>> 71 A
>>>>>> Beethoven / Szell / Cleveland Orchestra Symphony No. 5 in C Minor, Op. 67
>>>>>> 71 B
>>>>>> Beethoven / Walter / Columbia Symphony Symphony No. 4 in B-flat Major, Op. 60
>>>>>> 72 A
>>>>>> Beethoven / Toscanini / New York Philharmonic Symphony No. 7 in A Major, Op. 92
>>>>>> 72 B
>>>>>> Beethoven / Toscanini / New York Philharmonic Symphony No. 7 in A Major, Op. 92
>>>>>> 73 A
>>>>>> Copeland / Bernstein / New York Philharmonic Appalachian Spring
>>>>>> 73 B
>>>>>> Copeland / Bernstein / New York Philharmonic Four Dance Episodes from Rodeo
>>>>>> 74 A
>>>>>> Fella / de Los Angeles / Fruhbeck de Burgos / Philharmonia Orchestra The Three-Cornered Hat
>>>>>> 74 B
>>>>>> Fella / de Los Angeles / Fruhbeck de Burgos / Philharmonia Orchestra The Three-Cornered Hat
>>>>>> 75 A
>>>>>> Side A: Berlioz / Ansermet / L'Orchestre de la Suisse Romande Le Corsaire Overture, Op. 21
>>>>>> 75 A
>>>>>> Side AB: Berlioz / Ansermet / L'Orchestre de la Suisse Romande Symphonie fantastique, Op. 14
>>>>>> 75 B
>>>>>> Berlioz / Ansermet / L'Orchestre de la Suisse Romande Symphonie fantastique, Op. 14
>>>>>> 76 A
>>>>>> Berlioz / Primrose / Munch / Boston Symphony Harold in Italy, Op. 16
>>>>>> 76 B
>>>>>> Berlioz / Primrose / Munch / Boston Symphony Harold in Italy, Op. 16
>>>>>> 77 A
>>>>>> Brahms / Monteux / Vienna Philharmonic Symphony No. 2 in D Major, Op. 73
>>>>>> 77 B
>>>>>> Brahms / Monteux / Vienna Philharmonic Symphony No. 2 in D Major, Op. 73
>>>>>> 78 A
>>>>>> Schumann / Szell / Cleveland Orchestra Symphony No. 2 in C Major, Op. 61
>>>>>> 78 B
>>>>>> Schumann / Szell / Cleveland Orchestra Symphony No. 2 in C Major, Op. 61
>>>>>> 79 A
>>>>>> Schumann / Lipatti / Karajan / Philharmonia Orchestra Piano Concerto in A Minor, Op. 54
>>>>>> 79 B
>>>>>> Grieg / Lipatti / Galliera / Philharmonia Orchestra Piano Concerto in A Minor, Op. 16
>>>>>> 80 A
>>>>>> Tchaikovsky / Cliburn / Kondrashin / Symphony Orchestra Piano Concerto No. 1 in B-flat Minor, 
>>>>>> Op.
>>>>>> 23
>>>>>> 80 B
>>>>>> Tchaikovsky / Cliburn / Kondrashin / Symphony Orchestra Piano Concerto No. 1 in B-flat Minor, 
>>>>>> Op.
>>>>>> 23
>>>>>> 81 A
>>>>>> Handel / Mackerras / English Chamber Orchestra Highlights from Messiah
>>>>>> 81 B
>>>>>> Handel / Mackerras / English Chamber Orchestra Highlights from Messiah
>>>>>> 82 A
>>>>>> Bach / Klemperer / Philharmonia Orchestra Arias from the St. Matthew Passion
>>>>>> 82 B
>>>>>> Bach / Klemperer / Philharmonia Orchestra Arias from the St. Matthew Passion
>>>>>> 83 A
>>>>>> Stravinsky / Bernstein / New York Philharmonic Le Sacre du Printemps (The Rite of Spring)
>>>>>> 83 B
>>>>>> Stravinsky / Bernstein / New York Philharmonic Le Sacre du Printemps (The Rite of Spring)
>>>>>> 84 A
>>>>>> Prokofiev / Koussevitzky / Boston Symphony Symphony No. 5 in B-flat, Op. 100
>>>>>> 84 B
>>>>>> Prokofiev / Koussevitzky / Boston Symphony Symphony No. 5 in B-flat, Op. 100
>>>>>> 85 A
>>>>>> Mozart / Furtwangler / Soloists of the Vienna Philharmonic Serenade No. 10 in B-flat Major, 
>>>>>> K. 361
>>>>>> 85 B
>>>>>> Mozart / Furtwangler / Soloists of the Vienna Philharmonic Serenade No. 10 in B-flat Major, 
>>>>>> K. 361
>>>>>> 86 A
>>>>>> Schubert / Casals / Stern / Schneider / Katims / Tortelier Quintet in C Major for Strings, 
>>>>>> Op. 163
>>>>>> 86 B
>>>>>> Schubert / Casals / Stern / Schneider / Katims / Tortelier Quintet in C Major for Strings, 
>>>>>> Op. 163
>>>>>> 87 A
>>>>>> Beethoven / Szell / Cleveland Orchestra Symphony No. 1 in C Major, Op. 21
>>>>>> 87 B
>>>>>> Beethoven / Furtwangler / Bayreuth Festival Orchestra Symphony No. 9 in D Minor, Op. 125 
>>>>>> ("Choral")
>>>>>> 88 A
>>>>>> Beethoven / Furtwangler / Bayreuth Festival Orchestra Symphony No. 9 in D Minor, Op. 125 
>>>>>> ("Choral")
>>>>>> 88 B
>>>>>> Beethoven / Furtwangler / Bayreuth Festival Orchestra Symphony No. 9 in D Minor, Op. 125 
>>>>>> ("Choral")
>>>>>> 89 A
>>>>>> Dvorak / Szell / Cleveland Orchestra Symphony No. 8 in G Major, Op. 88 (formerly No. 4)
>>>>>> 89 B
>>>>>> Dvorak / Szell / Cleveland Orchestra Symphony No. 8 in G Major, Op. 88 (formerly No. 4)
>>>>>> 90 A
>>>>>> Bartok / Reiner / Chicago Symphony Concerto for Orchestra
>>>>>> 90 B
>>>>>> Bartok / Reiner / Chicago Symphony Concerto for Orchestra
>>>>>> 91 A
>>>>>> Beethoven / Stern / Rose / Istomin Trio No. 6 in B-flat Major for Piano, Violin and Cello, 
>>>>>> Op. 97
>>>>>> ("Archduke")
>>>>>> 91 B
>>>>>> Beethoven / Stern / Rose / Istomin Trio No. 6 in B-flat Major for Piano, Violin and Cello, 
>>>>>> Op. 97
>>>>>> ("Archduke")
>>>>>> 92 A
>>>>>> Brahms / Busch / Brain / Serkin Trio in E-flat Major for Piano, Violin and Horn, Op. 40
>>>>>> 92 B
>>>>>> Schumann / Serkin / Budapest String Quartet Quintet in E-flat Major for Piano and Strings, 
>>>>>> Op. 44
>>>>>> 93 A
>>>>>> Tchaikovsky / Furtwangler / Berlin Philharmonic Symphony No. 6 in B Minor, Op. 74 
>>>>>> ("Pathetique")
>>>>>> 93 B
>>>>>> Tchaikovsky / Furtwangler / Berlin Philharmonic Symphony No. 6 in B Minor, Op. 74 
>>>>>> ("Pathetique")
>>>>>> 94 A
>>>>>> Goldmark / Beecham / Royal Philharmonic Symphony No. 1 in E-flat Major, Op. 26 ("Rustic 
>>>>>> Wedding")
>>>>>> 94 B
>>>>>> Goldmark / Beecham / Royal Philharmonic Symphony No. 1 in E-flat Major, Op. 26 ("Rustic 
>>>>>> Wedding")
>>>>>> 95 A
>>>>>> Brahms / Walter / Columbia Symphony Symphony No. 3 in F Major, Op. 90
>>>>>> 95 B
>>>>>> Brahms / Walter / Columbia Symphony Symphony No. 3 in F Major, Op. 90
>>>>>> 96 A
>>>>>> Brahms / Klemperer / Philharmonia Orchestra Symphony No. 4 in E Minor, Op. 98
>>>>>> 96 B
>>>>>> Brahms / Klemperer / Philharmonia Orchestra Symphony No. 4 in E Minor, Op. 98
>>>>>> 97 A
>>>>>> Beethoven / Milstein / Leinsdorf / Philharmonia Orchestra Violin Concerto in D Major, Op. 61
>>>>>> 97 B
>>>>>> Beethoven / Milstein / Leinsdorf / Philharmonia Orchestra Violin Concerto in D Major, Op. 61
>>>>>> 98 A
>>>>>> Mendelssohn / Szigeti / Beecham / London Philharmonic Violin Concerto in E Minor, Op. 64
>>>>>> 98 B
>>>>>> Chausson / Francescatti / Bernstein / New York Philharmonic Poeme for Violin and Orchestra, 
>>>>>> Op. 25
>>>>>> 99 A
>>>>>> Mahler / Solti / Chicago Symphony Symphony No. 8 in E-flat ("Symphony of a Thousand")
>>>>>> 99 B
>>>>>> Mahler / Solti / Chicago Symphony Symphony No. 8 in E-flat ("Symphony of a Thousand")
>>>>>> 100 A
>>>>>> Mahler / Solti / Chicago Symphony Symphony No. 8 in E-flat ("Symphony of a Thousand")
>>>>>> 100 B
>>>>>> Mahler / Solti / Chicago Symphony Symphony No. 8 in E-flat ("Symphony of a Thousand")
>>>>>>
>>>>>>
>>>>>>
>>>>>> ________________________________
>>>>>> From: Roger Kulp <[log in to unmask]>
>>>>>> To: [log in to unmask]
>>>>>> Sent: Monday, February 25, 2013 1:06 AM
>>>>>> Subject: Re: [ARSCLIST] Red Vinyl
>>>>>>
>>>>>> They're more brown than red.I have not picked up one to look at in ages.The ones I recall 
>>>>>> seeing
>>>>>> were all Living Stereo titles,and Ormandy.They are almost as common at thrift stores as 
>>>>>> Firestone
>>>>>> Christmas or Herb Alpert records. Speaking of Living Stereo reissues,why is there no love for 
>>>>>> the .5
>>>>>> s? Roger
>>>>>>
>>>>>>> Date: Mon, 25 Feb 2013 00:39:06 -0500
>>>>>>> From: [log in to unmask]
>>>>>>> Subject: [ARSCLIST] Red Vinyl
>>>>>>> To: [log in to unmask]
>>>>>>>
>>>>>>> Who did the pressing of the Franklin Mint's red vinyl, a large set of which
>>>>>>> is still at my Mom's home in Florida.
>>>>>>>
>>>>>>> Best,
>>>>>>> Art (Shiffy) Shifrin
>>>>>>
>>>>>
>>>>> -- 
>>>>> בברכה,
>>>>> שי דרורי
>>>>> מומחה לשימור והמרה של אודיו וידאו וסרטים 8-35 ממ.
>>>>>
>>>>
>>>
>>> -- 
>>> בברכה,
>>> שי דרורי
>>> מומחה לשימור והמרה של אודיו וידאו וסרטים 8-35 ממ.
>>>
>>
>
> -- 
> בברכה,
> שי דרורי
> מומחה לשימור והמרה של אודיו וידאו וסרטים 8-35 ממ.
> 

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