Hi Mark:
So from what you're saying, I gather that the maximum resolution of that Boulez/CSO master would be
48/24?
-- Tom Fine
----- Original Message -----
From: "Mark Donahue" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Saturday, April 04, 2015 6:13 PM
Subject: Re: [ARSCLIST] SACD "surprise"
> On Sat, Apr 4, 2015 at 10:31 AM, Tom Fine <[log in to unmask]>
> wrote:
>
>> I can't recall if it was Yamaha or Studer digital consoles, but I think
>> you are correct in your descriptions of "4D". being a true DDD system in
>> that the last time anything was analog was when the mic plugged into the
>> console and the mic preamp went to a ADC.
>
>
> Tom,
> The DG 4D system was comprised of a stagebox containing custom remote mic
> preamps and Yamaha converters that connected digitally at 24 bits/44.1/48k
> to an RTW bit splitter that allowed them to record 24 bit 16 track on a
> Sony3324. The signal was also distributed to the input of a pair of Yamaha
> DMC-1000 digital consoles. The normal orchestral kit that I would see here
> in the states was a pair or three stage boxes with a pair of machines for
> 32 track recording. It was basically modular and could be scaled for the
> job.
> All the best,
> -mark
>
>
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