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ARSCLIST  October 2015

ARSCLIST October 2015

Subject:

Re: AW: [ARSCLIST] WDAVH 2015: Fir st Sounds and ARSC release a rare facsimi le edition of Scott de Martinville’s

From:

George Brock-Nannestad <[log in to unmask]>

Reply-To:

Association for Recorded Sound Discussion List <[log in to unmask]>

Date:

Wed, 28 Oct 2015 02:27:47 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (97 lines)

From: Patent Tactics, George Brock-Nannestad



Hello,

what a splendid idea to make available to anybody interested a facsimile of 
the personal stock-taking of work with tracing sound of Léon Scott (who at 
this time appended "de Martinville"). Thank you so much for this initiative!

I fully agree that the translations and text comparisons are to be found in 
the previous work of Patrick Feaster, and it would be overkill to reproduce 
them again. 

To me as a patent attorney the greatest interest in this document attached to 
the Exhibit on pp. 49-52 (Pièce No. 3bis), which is the patent licence 
agreement of 1859 between Scott as the inventor and Rudolph Koenig as the 
constructor of equipment and independent acoustician. Nothing has changed -- 
it is phrased as a similar agreement would be phrased today. 

However, as I reported in a paper co-written with Jean-Marc Fontaine in 
2008*), Scott neglected to renew his rights because he forgot (sic!) to pay 
the appropriate fees (pp. 5 and 13), and no doubt that contributed to the 
break between them. 

Scott was interested in the prosody of speech, whereas Koenig wanted to find 
partials (harmonics) in the oscillations he recorded. The contract stipulated 
arbitration in the case of conflict, and unfortunately, this leaves no public 
trace. However, the non-payment does, because it caused the premature 
publication of the now abandoned and publicly available patent in an 
abbreviated printed form in 1867 (ref. 29 in the below publication). In this 
regard, the handwritten correction from 1861 to 1864 on p. 5 makes perfect 
sense, and my uneasiness with the former date has now been put to rest.

Kind regards,


George


*) "Early use of the Scott-Koenig phonautograph for documenting performance", 
Proceedings of Acoustics Paris'08, pp.6237-6242.

------------------------------------

> Good question, David!
> 
> According to David Giovannoni, most of it has already been translated into
> English in the other First Sounds facsimiles and in Patrick Feaster's
> publications. -
> www.firstsounds.org/research/scott.php<http://www.firstsounds.org/research/s
> cott.php>.
> 
> 
> 
> 
> 
> 
> -----Original Message-----
> From: Association for Recorded Sound Discussion List
> [mailto:[log in to unmask]] On Behalf Of David Breneman
> Sent: Tuesday, October 27, 2015 3:52 PM
> To: [log in to unmask]
> Subject: [ARSCLIST] AW: [ARSCLIST] WDAVH 2015: First Sounds and ARSC release
> a rare facsimi le edition of Scott de Martinville´s definitive anthol
> ogy
> 
> 
> 
> Von: "Rodriguez, Sandy"
> <[log in to unmask]<mailto:[log in to unmask]>>
> 
> 
> 
> > In celebration of World Day for Audiovisual Heritage 2015, First
> 
> > Sounds and ARSC have released a facsimile edition of Scott de
> 
> > Martinville´s own definitive anthology documenting his work as a
> 
> > recorded sound pioneer.
> 
> 
> 
> Any plans for an English translation?
> 
> 
> 
> 
> 
> ----------------------------------------------------------------
> 
> Profitieren Sie von der sicheren E-Mail-Übertragung Ihrer Daten mit einer
> kostenlosen E-Mail-Adresse der Telekom.
> 
> www.t-online.de/email-kostenlos<http://www.t-online.de/email-kostenlos>

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