Excellent recommendations, particularly the Mravinsky. When I was a kid, I was impressed by the 5th and 6th on Camden LPs, perhaps performed by the Oslo Phil. I'm going to dig through my basement and listen to them again to see if they still impress me; it's easily 50 years since I last heard them.
I have always heard a cymbal crash in the last movement, in my mind, of course, it's not really there, but imagine my surprise when recently I was listening to the Toronto Symphony recording under Ernest MacMillan and there was a cymbal crash, three beats earlier than where I imagined it. I think my spot is marginally better, but still.....!
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> On Jun 7, 2016, at 12:28 PM, Dennis Rooney <[log in to unmask]> wrote:
> Dear Ben,
> The Tchaikovsky Fifth rarely fails to make a strong impression at first
> hearing, so your preference for Koussevitzky's BSO RCA Victor recording
> isn't surprising, although I must add that that recording usually does not
> lead any list of best recorded versions, nor for that matter does the
> Bernstein. You might investigate those of Igor Markevich, Yevgeny
> Mravinsky, Pierre Monteux, Artur Rodzinski, Valery Gergiev, and, if you
> accept their mannerisms, Leopold Stokowski and Willem Mengelberg.
>> On Mon, Jun 6, 2016 at 2:12 PM, James Roth <[log in to unmask]> wrote:
>> Hello everybody.
>> The first time I ever heard the 5th of Tchaikovsky was on a recording of
>> Koussevitzky and the BSO - a 45 RPM box set.
>> That rendition has stuck with me (it's my favorite) and I've yet to hear
>> anyone - even Bernstein - conduct with S.K.'s rubatos, creshendo's, etc.
>> I wish there were. While S.K.'s rendition is my favorite by far, it's
>> lacking in the clarity of later technology.
>> The live ones are a little clearer than the 1946 studio recordings, but
>> If I had the funds, I'd hire the BSO to study his recording and then play
>> it back exactly that way.
>> Is that silly?
>> Ben Roth
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