Hi Michael - Sorry I will miss your talk, but I am going to the Baaba Maal concert in Brooklyn. Good luck. And for fun have a look at our Space Helmet Covers page, ‘cuz it’s just too easy to show regular outer space covers! http://arcmusic.org/galleries/space// <http://arcmusic.org/galleries/space//> Adding about 20 more soon - all from the ARC collection - none of the internet swiping for us! And thanks for stopping by our sale! b.george, ARChive
> On SatJun 14, at 5:51 PM, Kimberly Peach <[log in to unmask]> wrote:
> This Thursday at the CUNY Sonic Arts Center.....
> ARSC New York Chapter
> JUNE 2016 Meeting
> 7:00 P. M. Thursday, 6/16/16
> →At the CUNY Sonic Arts Center← West 140th Street & Convent Avenue, New
> Or enter at 138th Street off Convent Avenue
> Shepard Hall (the Gothic building) – Recital Hall (Room 95, Basement level)
> An elevator is located in the center of the building
> A brief report on the ARSC National Conference in Bloomington, IN, 11-14
> May will be followed by
> “The Art of the Record Cover” Presented by Michael Biel
> The recipient of the Distinguished Service to ARSC award in 2014, Dr. Biel
> has revised and extended the last two presentations he gave on this topic
> at ARSC’s national conferences.
> Part One: THE HISTORY OF RECORD SLEEVES
> The early history of paper sleeves for disc records is largely an enigma.
> They are hardly mentioned in the histories of the industry—with one notable
> exception— but occasionally the wrong information is presented. They were
> NOT just plain gray sleeves, but were often brilliantly illustrated. Almost
> every record company had them printed up, but some are more rare than the
> When were the first sleeves made is often asked. Were Berliner records
> sleeved? Indeed, how were records shipped from the factory to jobber,
> jobber to dealer, and dealer to customer? For the first decade of discs,
> they were shipped unsleeved, but between 1906 and 1907 this situation
> changed. Who changed it and why will be disclosed, as will what those first
> sleeves were called. (Hint: they were not called sleeves. Or jackets. Or
> wrappers.) What record was the first to have its own descriptive sleeve?
> What was the first picture sleeve for a specific record? This presentation
> will seek to answer all of the above, and in addition show more than 100
> examples of the earliest, most elaborate, most colorful, and rarest
> This will be followed by the video history of ARSC conferences presented in
> Bloomington, Indiana last month. It will be extended to include many of the
> pieces that were shortened for time purposes, a highlight of which is the
> section with Met Opera Singers.
> Dr. Michael Biel, a lifelong record collector, is a retired professor of
> broadcasting. A former president of ARSC, he held other offices including
> Program Chair for five national conferences, The author of the For The
> Record column in the ARSC Journal, he has made countless presentations at
> ARSC national conferences, every one of which he has attended since 1971
> save two. Having made audio recordings of the conferences in the 70s and
> early 80s, he began complete video recording in 1985. He has been joined by
> his daughter, Leah, in this endeavor, and it is she who does all of the
> post-production editing, including on the anniversary video being shown at
> this session.
> This concludes ARSCNY’s meetings until September. Have a pleasant summer!
> DIRECTIONS TO THE SONIC ARTS CENTER
> Subway: Take the 1 train to 137th Street City College and walk north to 140th
> St. & Broadway,
> then go east to 140th St. & Convent Avenue. Take the A, B, C, or D trains
> to 145th St, go south on St. Nicholas to 141st St, (one long block), then
> west one block to Convent Avenue, and south one more block to 140th &
> Convent Avenue.
> Bus: M4 and M5 on Broadway; M 100, 101 on Amsterdam Ave. (one block West of
> Convent Avenue)
> The Sonic Arts Center at CCNY offers 4-year Bachelor of Fine Arts degrees
> in Music with a concentration in Music and Audio Technology. Their program
> provides an in-depth curriculum emphasizing real-world skills with a
> project-based approach. Students enjoy a well-rounded program, with
> emphasis on audio technology, music theory, orchestration, and history to
> help them compete in a field that today demands
> an ever-growing and highly diverse skill set.
> All ARSC NY Chapter meetings are free and open to the public.
> Voluntary contributions to help defray our expenses are welcome!
> To join ARSC, visit http://www.arsc-audio.org
> Kimberly Peach
> ARSC Web Editor www.arsc-audio.org
> [log in to unmask]