I do not know if the "E" marker feature is unique to Samplitude and/or
the RME drivers. I will check with someone who is using a MOTU 828 MK II
on a regular basis with Samplitude.
On 7/8/2016 12:01 PM, Jim Sam wrote:
> Bert, thanks for pointing out that article. Good information.
> Ricard, thanks also. I think I already know the answer to this, but that
> feature of 'e' markers is likely unique to Samplitude, right?
> On Thu, Jul 7, 2016 at 4:55 PM, Richard L. Hess <[log in to unmask]>
>> Hello, Jim,
>> For whatever reason, I see this as a challenge in most venues, but, for
>> some reason, it is not a challenge in my workflow.
>> The reason for this is that the RME audio interfaces and/or Samplitude
>> know when an error occurs and places an "E" marker on the timeline. It
>> usually only happens if the PC is doing something it shouldn't during
>> But, to be on the safe side, I have gone away from PC ingest for my
>> limited field recording work and either record to the built-in USB port of
>> my RME Fireface UFX OR to my newly acquired Zoom F8--I sold my Sound
>> Devices 722 to fund the F8. Got six more channels essentially for free.
>> I'm also thinking to further address the IE problem, I'll bridge the F8
>> off the inputs to the RME FireFace UFX or RME Multiface and make copies on
>> both. Although the clocks will not be perfectly sync'd it should be
>> interesting to see what is left out in the rare event I get an error flag.
>> On 7/7/2016 5:58 PM, Jim Sam wrote:
>>> In the last two years, has there been any published research into the
>>> "interstitial error" phenomenon? I'm aware of the FADGI report from 2013,
>>> Chris Lacinak's talk at IASA 2015, and George Blood's talk at the 139th
>> Richard L. Hess email: [log in to unmask]
>> Aurora, Ontario, Canada 647 479 2800
>> Quality tape transfers -- even from hard-to-play tapes.
Richard L. Hess email: [log in to unmask]
Aurora, Ontario, Canada 647 479 2800
Quality tape transfers -- even from hard-to-play tapes.