I ahould have added:
It was made by/for Prestige Productions in Birmingham. My contact said
that they originally thought a Betamax digital recorder (PCM/F1, I think
he means) was going to be used then they showed up with this...but he
doesn't know what it was. He thought Sony.
On 10/15/2016 19:06, Richard L. Hess wrote:
> I was asked to turn a DASH tape into files. The tape owner was fairly
> certain it was made on a SONY machine.
> It would not play on my 3402 which still plays other tapes.
> I baked the tape prior to playback which has been necessary for at least
> a few years and is being done in Hollywood on multi-track DASH.
> I believe the tape is tails out, but I could not hear anything on the
> aux tracks. When played backwards, I can hear backwards organ sounds (it
> is a theatre pipe organ recording) on one channel only.
> It appears to be about 15 in/s.
> I have posted on my website after much research that there are five
> variations of the Mitsubishi Pro-Digi format.
> 1. The original X-80 machine had a 50 kHz sample rate. It’s tapes will
> play back properly on a 50 ks/s X-80, or 4% slow on a 48 ks/s X-80 or an
> 2. Later X-80 machines had a 48 kHz sample rate. It’s tapes will play
> back properly on a 48 ks/s X-80 or an X-86C. Presumably they will also
> play 4% fast on an original, 50 kHz X-80.
> 3. The switchable 44.1/48 ks/s X-86 tapes will play on an X-86, X-86C,
> and X-86HS.
> 4. The high-resolution (88.2/96 ks/s) X-86HS tapes will only play on
> that machine.
> 5. The “radio-station” 7.5 in/s tapes made on the X-86LT will only play
> on that machine.
> As far as I know there is only one Sony format.
> So what do you think this tape might be?
Richard L. Hess email: [log in to unmask]
Aurora, Ontario, Canada 647 479 2800
Quality tape transfers -- even from hard-to-play tapes.