Would enjoy seeing the pictures, but they donít go out with the list. Have a link?
On Jun 6, 2017, at 8:09 AM, Martin Fisher <[log in to unmask]> wrote:
> Don't have a lot of details but it was quite common for recording sessions to take place with two or more coupled horns. Larger horns are well suited to capture low frequencies while smaller ones are more suited for more focused midrange and higher areas of the audio spectrum. I've used two horns many times to capture larger groups for cylinder recordings. Lately I've been using a large exponential design that works quite well. (Attached Pictures)