The point is not whether the average listener can detect it. The point is that when a cartridge can't track the high frequencies, permanent damage to the record will result. In my view, when transferring any media, the first rule is: Do no harm to the media.
Audio Engineer Emeritus
The Crane School of Music
SUNY at Potsdam, NY 13676
"Great art presupposes the alert mind of the educated listener."
"A true artist doesn't want to be admired, he wants to be believed."
From: Association for Recorded Sound Discussion List [mailto:[log in to unmask]] On Behalf Of 6295LARGE .
Sent: Wednesday, August 09, 2017 2:45 PM
To: [log in to unmask]
Subject: Re: [ARSCLIST] Transferring LPs at 78 RPM
I'm using a Stanton 500 on a Technics Quartz SL1200 MKII.
I'm recording it into a high quality Sound Blaster card using Sound Forge 9.
Then I reduce the pitch by 15 half-tones.
The file is then saved as an MP3.
I'm sure some loss is inherent but can the average ear(s) detect it?
On Wed, Aug 9, 2017 at 1:35 PM, Gary A. Galo <[log in to unmask]> wrote:
> You will likely damage the high frequencies because the cartridge can
> possibly track the record. You're increasing the frequency range by
> over two octaves and also increasing the velocity by more than a factor of two.
> Even if the cartridge could track the record - which it most certainly
> can't - the RIAA equalization is all wrong.
> Gary Galo
> Audio Engineer Emeritus
> The Crane School of Music
> SUNY at Potsdam, NY 13676
> "Great art presupposes the alert mind of the educated listener."
> Arnold Schoenberg
> "A true artist doesn't want to be admired, he wants to be believed."
> Igor Markevitch
> -----Original Message-----
> From: Association for Recorded Sound Discussion List [mailto:
> [log in to unmask]] On Behalf Of 6295LARGE .
> Sent: Wednesday, August 09, 2017 1:15 PM
> To: [log in to unmask]
> Subject: [ARSCLIST] Transferring LPs at 78 RPM
> Hello everyone
> If I transfer a vinyl LP at 78 RPM then slow it down to proper speed
> do I lose anything?
> Ben Roth