I'm not surprised. 48K/24Bit is the film industry standard. As one who
edited and mastered DVDs for a few of the major film studios, I can tell
you that while the video was generally remastered to a Hi-Def format,
the audio (at least, for the couple of hundred feature film titles and
TV shows that I worked on) was re-purposed from Std. Def DVD files. I
would expect that DVD-A is no different, weather it is mastered with DTS
encoding or Dolby AC3.
Corey Bailey Audio Engineering
On 12/8/2017 11:22 AM, Gary A. Galo wrote:
> Does anyone know anything about the Decca Analog Golden Era recordings that are being issued by Universal Mexico? I just got the four Blu-ray discs of the Del Monaco operas. Despite the claim that these are PureAudio Blu-ray discs at 192 kHz/24-bit, the only program I can find on my Oppo UDP-205 or my wife's BDP-93 is DTS HD at 48 kHz/24-bit. Have you heard anything about these? I'm wondering if I am the only one who noticed. The reviewers in Fanfare all seem to have only the CD versions of these remasterings, not the Blu-rays.
> It seems very strange that these are coming out of Mexico only. The booklets say that the actual tape-to digital transfers were done at Abbey Road Studios, which I also find strange. I thought all the Decca tapes were in Hanover.
> Based on sampling these last night, I will say that even at 48 kHz, the sound is superb - better than anything Decca has issued here of this material. Strangely, I have found a lot of the Decca Originals remasterings to be very bright on top, including the Karajan Otello and the Solti Salome and Elektra. Regarding Salome and Elektra, the Blu-ray editions are just as bright as the two previous CD releases.
> Gary Galo
> Audio Engineer Emeritus
> The Crane School of Music
> SUNY at Potsdam, NY 13676
> "Great art presupposes the alert mind of the educated listener."
> Arnold Schoenberg
> "A true artist doesn't want to be admired, he wants to be believed."
> Igor Markevitch