Sure there are just subsctibe and search!
<https://spiderbites.nytimes.com/1952/articles_1952_03_00000.html>
<L>
Lou Judson
Intuitive Audio
415-883-2689

> On Apr 22, 2019, at 2:07 PM, Matthew Sohn <[log in to unmask]> wrote:
> 
> Here is a link to scans I made of an article from the New York Times dated Sunday March 9,1952. 
> 
> https://1drv.ms/f/s!Ak74tjL5BDQWqWP-4Kf6xejcXk1q 
> 
> The article is about changes in recording technology over the years and includes photos of two acoustic recording sessions (one with Nellie Melba and one with a small unidentified ensemble) There are also photos of Fritz Reiner and Sir Thomas Beecham recording in the "modern" style, and a sidebar where Reiner talks about the challenges of recording.
> Perhaps there are better copies in the NYT archive?
> 
> -Matt Sohn
> 
> 
> 
> --------------------------------------------
> On Mon, 4/22/19, Chet Falzerano <[log in to unmask]> wrote:
> 
> Subject: [ARSCLIST]
> To: [log in to unmask]
> Date: Monday, April 22, 2019, 11:34 AM
> 
> Could someone please advise me if during the
> 20's and 30's 78 recording
> sessions, was the recording equipment
> located in the same room as the
> musicians? Or, was there a separate
> "control room"? I am specifically
> interested in the Decca studies, New
> York City as I am involved in a film
> short project and the music director
> maintains the "control room" came
> later.
> 
> Thank you.
> Chet Falzerano
> -- 
> I'm So Happy, I Can't Stop Playing!
> 
>