On Tue, Apr 23, 2019 at 12:58 AM Lou Judson <[log in to unmask]> wrote:
> Sure there are just subsctibe and search!
> Lou Judson
> Intuitive Audio
> > On Apr 22, 2019, at 2:07 PM, Matthew Sohn <[log in to unmask]>
> > Here is a link to scans I made of an article from the New York Times
> dated Sunday March 9,1952.
> > https://1drv.ms/f/s!Ak74tjL5BDQWqWP-4Kf6xejcXk1q
> > The article is about changes in recording technology over the years and
> includes photos of two acoustic recording sessions (one with Nellie Melba
> and one with a small unidentified ensemble) There are also photos of Fritz
> Reiner and Sir Thomas Beecham recording in the "modern" style, and a
> sidebar where Reiner talks about the challenges of recording.
> > Perhaps there are better copies in the NYT archive?
> > -Matt Sohn
> > --------------------------------------------
> > On Mon, 4/22/19, Chet Falzerano <[log in to unmask]> wrote:
> > Subject: [ARSCLIST]
> > To: [log in to unmask]
> > Date: Monday, April 22, 2019, 11:34 AM
> > Could someone please advise me if during the
> > 20's and 30's 78 recording
> > sessions, was the recording equipment
> > located in the same room as the
> > musicians? Or, was there a separate
> > "control room"? I am specifically
> > interested in the Decca studies, New
> > York City as I am involved in a film
> > short project and the music director
> > maintains the "control room" came
> > later.
> > Thank you.
> > Chet Falzerano
> > --
> > I'm So Happy, I Can't Stop Playing!
I'm So Happy, I Can't Stop Playing!