L.A. Times is subscription access only. The other links (meant to end-run this) also point to subscription-only. I was blocked as well.
Sincerely,
Marcia Segal
-----Original Message-----
From: Association for Recorded Sound Discussion List <[log in to unmask]> On Behalf Of Chris Brady
Sent: Wednesday, November 18, 2020 5:52 PM
To: [log in to unmask]
Subject: Re: [ARSCLIST] FW: [AMIA-L] wax cylinders preservation and individual preservationists
Sadly none of these links work - I'm on Gmail. CJB
On 18/11/2020, Corey Bailey <[log in to unmask]> wrote:
> Posted on behalf of Linda Tadic:
>
> Hello everyone,
>
> The Los Angeles Times writer Randall Roberts has an obsession with wax
> cylinder recordings this month. These articles focus on collectors who
> are self-preserving wax cylinder recordings, and in the process give
> explanations on the history and fragility of the medium.
>
> https://www.latimes.com/entertainment-arts/music/story/2020-11-12/wax-
> cylinder-dentis
>
> <https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww
> .latimes.com%2Fentertainment-arts%2Fmusic%2Fstory%2F2020-11-12%2Fwax-c
> ylinder-dentist&data=04%7C01%7CAMIA-L%40LSV.UKY.EDU%7Cc3dad72a5f624dc2
> dbc008d88bf1fda8%7C2b30530b69b64457b818481cb53d42ae%7C0%7C1%7C63741321
> 8745277870%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzI
> iLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C2000&sdata=wU2rccXYSMHWS4wRNy7Oj3yNf
> lUL%2F28Mn0cqNHSRV9I%3D&reserved=0>
>
>
>
> While there’s a shout-out to UC Santa Barbara’s extensive cylinder
> collection and the Library of Congress, the article focuses on
> individual preservationists.
>
> https://www.latimes.com/entertainment-arts/story/2020-11-12/wax-cylind
> er-dentist-how-we-got
>
> <https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww
> .latimes.com%2Fentertainment-arts%2Fstory%2F2020-11-12%2Fwax-cylinder-
> dentist-how-we-got&data=04%7C01%7CAMIA-L%40LSV.UKY.EDU%7Cc3dad72a5f624
> dc2dbc008d88bf1fda8%7C2b30530b69b64457b818481cb53d42ae%7C0%7C1%7C63741
> 3218745277870%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2lu
> MzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C2000&sdata=W3l4Qcm9F2bJO1Nj9Vp2RO
> OpkdZ55VLTFIKk%2B5xQc4o%3D&reserved=0>
>
>
>
> This video piece demonstrates how the cylinders should be stored and
> transferred:
>
> https://www.latimes.com/entertainment-arts/music/story/2020-11-12/l-a-
> s-evolution-as-a-music-powerhouse-may-have-started-earlier-than-we-thi
> nk
>
> <https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww
> .latimes.com%2Fentertainment-arts%2Fmusic%2Fstory%2F2020-11-12%2Fl-a-s
> -evolution-as-a-music-powerhouse-may-have-started-earlier-than-we-thin
> k&data=04%7C01%7CAMIA-L%40LSV.UKY.EDU%7Cc3dad72a5f624dc2dbc008d88bf1fd
> a8%7C2b30530b69b64457b818481cb53d42ae%7C0%7C1%7C637413218745287860%7CU
> nknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1ha
> WwiLCJXVCI6Mn0%3D%7C2000&sdata=DUDe7gNz5K4w%2F5TkH4Y84aW56NTYW6X6qKsNL
> ZdexhI%3D&reserved=0>
>
>
>
> I especially love hearing how in the late 19^th century recordings,
> “Los Angeles” is pronounced with a hard “g” (“Los An-guh-les”)
>
> Best,
>
> Linda
>
> *Linda Tadic, CEO*
>
> Digital Bedrock
>
> PO Box 86311
>
> Los Angeles, CA 90086-0311
>
> Email: [log in to unmask] <mailto:[log in to unmask]>
>
> Tel. (888) 938-7386 x700
>
> www.digitalbedrock.com
> <https://nam04.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.
> digitalbedrock.com%2F&data=04%7C01%7CAMIA-L%40LSV.UKY.EDU%7Cc3dad72a5f
> 624dc2dbc008d88bf1fda8%7C2b30530b69b64457b818481cb53d42ae%7C0%7C1%7C63
> 7413218745297860%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV
> 2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C2000&sdata=VRfhUKUMfiDK2WHVCT0
> M4VbvSJWMWNV9tUkggTu36fM%3D&reserved=0>
>
>
>
>
> Corey Bailey Audio Engineering
> www.baileyzone.net
>
--
MSc. (O.R.); BSc. (Ind Maths); Dip. Ed. (F.E.); Cert Mgt (O.U.) Health & Safety Rep. - Unite (MSF/AMICUS) + Brit. Airways Freelance Investigative Journalist - re:
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