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ARSCLIST  May 2022

ARSCLIST May 2022

Subject:

Re: Best stylus size and config for 1946 RCA Victor 78s

From:

Tim Gillett <[log in to unmask]>

Reply-To:

Association for Recorded Sound Discussion List <[log in to unmask]>

Date:

Thu, 5 May 2022 15:11:48 +1000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (57 lines)


Hi Ben, 

I agree with Howard to trust our ears but also to make it easy for our
ears to make accurate comparisons. Human hearing is a marvellous
facility but it has its limitations. One limitation  is in accurately
comparing two sounds when one of them is live and the other is from
memory. It's not so much a hearing limitation as a hearing memory
limitation. The longer the time gap, the poorer is our memory of the
actual sound.

If I want to compare two transfers of a disc or tape, or even how well
I have subjectively EQ'ed a track, I sometimes line the versions up in
the DAW and then play in rough sync, toggling back and forth between
each version. Any small differences will be much easier to detect.

There's a good general talk about these subjective hearing limitations
at an AES meeting chaired by Ethan Winer. Here's a link to some
highlights:  https://youtu.be/BYTlN6wjcvQ

Cheers Tim.

----- Original Message -----
From: "Association for Recorded Sound Discussion List"
<[log in to unmask]>
To:<[log in to unmask]>
Cc:
Sent:Wed, 4 May 2022 21:28:50 -0700
Subject:Re: [ARSCLIST] Best stylus size and config for 1946 RCA Victor
78s

 Since I don't have this set, I can't make a specific recommendation.

 In general, I suggest choosing the stylus that gives the lowest 
 distortion. The toughest test for this is often in the grooves
closest 
 to the end of the side. Noise can sometimes be reduced. Distortion 
 can't be.

 I encourage you to trust your ears about this. You have a good 
 selection of stylii at your disposal. Sometimes there are no good 
 solutions. Sometimes, as Gary Galo suggests, the original recording 
 just wasn't very good, either.

 The Ampex Model 200A, the first professional tape recorder in
America, 
 was introduced in April 1948. The Model 300 was introduced in 1949. 
 I'd be really surprised if a 1947 Victor recording was made on tape.

 HTH.

 Howard Sanner
 [log in to unmask]

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