Intriguing points, all, but an open source  _file format_ is just the first
step, as you allude to in your message.

In playback, does the BL intend as a fail-safe method to use an "open
source" software decoder for CDs? Does this decoder run under the (open
source) Linux operating system? Is the hardware running the Linux software
built on proprietary or open source chips/components? (If there is such a
thing as the latter...)



At 10:52 AM 3/10/2003 +0000, you wrote:
>Dear All,
>   but I have the
>following objection to using hard drives for "serious archival work" (which
>I consider different from *exploitation* work)!
>     As far as I know, all hard drives (and indeed DLT and its rivals)
>involve *software*, and there is always copyright in software. This includes
>both the error-correction system and the formatting of the medium.
>     A couple of months ago, we heard about California introducing
>*permanent* copyright for some purposes, which might mean ARSC members in
>that unhappy place would *never* be able to reproduce sounds from
>software-controlled media when the hardware fails. Even if it were possible
>to import legal copies of the software from somewhere else, it would have
>been "compiled" for a particular microprocessor (for example Intel or
>Motorola), and it seems very unlikely that such chips would be available in
>fifty years' time, which is the term for software here in the United
>Kingdom. This problem can only be circumvented by having access to the
>"source code" (written in a standardised computer language), and then buying
>"compiler" software for new generations of microprocessors. (The compilers
>will also be copyright, of course!)
>     In my view, the solution is to use only "open standards" for storing
>sound. This is why the British Library Sound Archive chose "Red Book" CD-R
>discs; when the Philips/Sony patents for CDs expired, it became such an
>"open standard". (And the same technology is familiar to users for on-site
>access). When other sampling-frequencies or bit-resolutions need to be
>stored, I know my successor is thinking in terms of Broadcast Wave format
>(like Sue Salinger), which again is an open standard.
>Peter Copeland
>-----Original Message-----
>From: Joel Bresler [mailto:[log in to unmask]]
>Sent: 05 March 2003 03:19
>To: [log in to unmask]
>Subject: Re: [ARSCLIST] Archiving to hard drive
>Sue wrote:
> >You're likely to have to migrate off the cd's or server at some point in
> >the near future...
>Thanks for the helpful post. Once the music is on a server (presumably on a
>hard disk) why would it necessarily need to be migrated? SCSI drives have
>built in error correction, and the data could be mirrored on another hard
>disk for security. Isn't this the most likely long-term data storage
>solution, bar none?
>Free exhibition at the British Library Galleries :
>Magic Pencil : Children's Book Illustration Today (to 31 March) original
>graphic work of 13 contemporary artists
>The information contained in this e-mail is confidential and may be legally
>privileged. It is intended for the addressee(s) only. If you are not the
>intended recipient, please delete this e-mail and notify the
>[log in to unmask] : The contents of this e-mail must not be disclosed or
>copied without the sender's consent.
>The statements and opinions expressed in this message are those of the
>author and do not necessarily reflect those of the British Library. The
>British Library does not take any responsibility for the views of the

Joel Bresler
250 E. Emerson Rd.
Lexington, MA 02420

781-862-4104 (Telephone & FAX)
[log in to unmask]