I've used Cool Edit Pro 1.0 (I assume that 2.0 is better) for
personal and professional work, at least until we can manage to get
SoundForge 6.0 and Noise Reduction 2 for my project at the Library. I've
tried various editions of Diamond Cut but I don't like its setup or its
results. I like the flexibilty of Cool Edit Pro, and it is possible to
remove a good number of the ticks and pops without hurting the sound
quality, at least with earlier 78s. I  find that on higher quality
audio, the treble end suffers with just about any global de-clicking in
Cool Edit 1. At home, I usually declick by hand with good but slow
   I haven't yet heard a background noise reducer, other than careful
EQing, that doesn't make things sound worse to my ear. That "breathing"
effect you can hear even on recent re-issues like the Miles Davis Blue
Note  recordings is far more obtrusive than tape hiss or groove noise.
For EQing 78s, I prefer the results on SoundForge 5 to CoolEdit 1, but
there are probably better ways to do that either in analog or digital.


>>> [log in to unmask] 07/30/03 07:26PM >>>
If one can't afford a CEDAR system, is there any software that comes
when cleaning up 78s of pops, crackles and surface noise?

Tom Diamant
Arhoolie Records
10341 San Pablo Ave.
El Cerrito, CA 94530

fax: 510-525-1204
email: [log in to unmask]