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If you are looking for an institution to donate the Japanese recordings to, you might start with:

Japanese American National Museum
Attn: Karen Ishizuka
Media Arts Center
369 East 1st St.
Los Angeles, CA 90012
ph: 213-830-5640
e-mail: [log in to unmask]

Lance Watsky
Preservation & Media Specialist
The Georgia Archives
5800 Jonesboro Road
Morrow, GA 30260
678-364-3764 (phone)
678-364-3860 (fax)
[log in to unmask]
www.GeorgiaArchives.org




-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:[log in to unmask]]On Behalf Of Mark Takasugi
Sent: Friday, February 25, 2005 12:36 PM
To: [log in to unmask]
Subject: Re: [ARSCLIST] A scenario for bequests


I got started on an ethnic Japanese recordings
collection by discovering a
stash of 78s in the bowels of a local Japanese
retirement home while a
volunteer during junior high school.  Well-meaning
donors had gifted the
home with the recordings, thinking the "older folks"
would enjoy the older
music.  The institution, of course, lacked the
know-how and resources to
create any kind of meaningful circulation system, and
rather than refuse
such donations, accepted them and quietly relegated
them to a basement store
room, where I found them.  Legalities aside (this was
almost thirty years
ago), the director of the home was more than happy to
have me cart them
away.  It took quite a few bus trips to get them home.
 Would they be of
interest to an institution or collector?  I don't
know.  Some labels and
artists are so obscure that I can't find mention of
them even in the
"uber-documentation" on the Internet in Japanese, let
alone in English.

I'm not familiar with the legal obligations associated
with bequests, or the
capacity of institutions to manage disposition, if you
will, of "unwanted"
material, but surely a way can be found to make them
available to
individuals or other institutions that may be looking
for them and indeed
offer, as Steve indicates, a cozy home?

Mark Takasugi

-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:[log in to unmask]] On Behalf Of steven austin
Sent: Friday, February 25, 2005 7:28 AM
To: [log in to unmask]
Subject: Re: [ARSCLIST] A scenario for bequests

May I be the first to offer a cozy home to private
collections that are
refused on the basis of being a preservation burden?

Steven Austin



-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:[log in to unmask]] On Behalf Of George
Brock-Nannestad
Sent: Friday, February 25, 2005 4:49 AM
To: [log in to unmask]
Subject: [ARSCLIST] A scenario for bequests

From: Patent Tactics, George Brock-Nannestad

In the mood of the scenario that I posted about
earlier today (but which has
not appeared as I write, because " ARSCLIST list is
held") I am considering
the following:

Some private collections are donated to public
collections, generating tax
deductions in the process. It also generates work for
valuers to find out
what these deductions might be. However, if receiving
a collection puts a
burden on the receiving agency to digitize and
maintain the collection, I
would expect that the deduction should properly be
converted into a
supplementary tax burden on the donor. In other words,
if the collection
does not come with the money to preserve it, then it
could potentially be
refused.

In a similar vein, the materials that could be
privately inherited from a
"modern" collector could potentially be a payment of,
say, ten years of
professional maintenance of the backup of the sounds
he has collected.
Such
payments could also be put up for public auction
(similar to works of art
today). This message will self-destruct in 315,619,200
seconds.
Inheritance
sucks. Or it certainly will, at some point in our
development.

Kind regards,

George


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