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>One could do so much processing that the sound would be degraded, 
>but it is extremely unlikely in practice. A really dramatic change 
>of equalization could inspire capturing more than 16 bits, but 
>that's about the only case I can think of.

Again, since all adjustments involve multiplication, something as 
simple as "normalizing" the track will drive it over the 
16-bits.  See my previous post.