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What about using 24 bit at 44.1 so that any noise reduction or 
processing done later is higher definition?

Lou Judson  Intuitive Audio
415-883-2689

On Feb 20, 2006, at 8:21 AM, Richard L. Hess wrote:

> It's easy to say 96/24 for everything, but if you can put 3x the 
> amount of stuff in the same bucket at 44.1/16 and you haven't lost 
> anything, why wouldn't you do that?
>
> It's a balancing act. The cassette is the weakest link in the chain.