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On Fri, 31 Mar 2006, Steven Smolian wrote: > As to Schnabel, he violates his own edition frequently. His Diabellis are a > particularly fine example of this divergence. Having sit through most of the Sonatas with his edition, I don't see that his liberties with his own text are that significant...but I will revisit the Diabelli. Which makes the point of the difference between text (notation) and sound. So then the question is...what did Schnabel really want? Karl