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Mike, The phrase comes from TV land when two- and three-tape-machine editors began being called linear editors as you assembled things linearly from the start. All of our audio editors that I'm aware of: Audition, Samplitude, ProTools, are all NLE (non-linear editors) by this definition. This has nothing to do with transfer functions, but rather human interface and operating modes. Cheers, Richard At 01:49 PM 3/11/2006, Mike Richter wrote: >Rod Stephens wrote: >>Hi Tom, >>As a retired (except for sound projects) motion picture film (and >>later digital) editor, much of the work I've been able to do with >>sound tracks, whether they be on 35 MM (16 MM is much more >>difficult to edit) film or a non linear editing system like >>Audition, has been a result of learning the tricks of the trade. > >This is the first suggestion I've encountered that Adobe Audition is >not linear. My own work with it (and with its predecessor, CoolEdit >Pro) has extended over nearly a decade, so I am curious as to what >is meant by the term "non linear" here. > >Mike >-- >[log in to unmask] >http://www.mrichter.com/ > > > Tape Restoration Seminar: MAY 9-12, 2006; details at Web site. Richard L. Hess email: [log in to unmask] Aurora, Ontario, Canada (905) 713 6733 1-877-TAPE-FIX Detailed contact information: http://www.richardhess.com/tape/contact.htm