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Thanks for the correction --amazing that Sigma Sound was still working 
until two years ago. Truth be told, I was never a big fan of that sound, 
although it really is a feat of engineering...

marcos

--On Tuesday, March 21, 2006 6:18 PM -0500 Tom Fine 
<[log in to unmask]> wrote:

> Hi Marcos:
>
> It was Joe TarsiA, founder and owner of Sigma Sound Studios. Joe sold
> Sigma only a couple of years ago. That place was definitely home of the
> Philly Sound, second home of Gamble and Huff (sp?). Their NYC studio was
> the birthplace of the Village People, for better or worse (definitely
> better for Sigma, as all those gold records led to a disco-fueled hot
> hand).
>
> -- Tom Fine
> ----- Original Message ----- From: "Marcos Sueiro" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Tuesday, March 21, 2006 9:42 AM
> Subject: Re: [ARSCLIST] Quarter-inch splicing tabs
>
>
>> I have
>>> had a couple of opportunities to be a "recording artist" (popular
>>> music, not classical) and I have found that as soon as musicians
>>> find out the opportunity for "changes via edit" exists, they
>>> immediately discover a near-infinite number of "flaws" in their
>>> solos which need to be corrected!
>>
>> So true. So goes also with artists who want to change the volume of one
>> track in the mix by half  of one dB, or move one note in a solo by
>> miliseconds.
>>
>> Perhaps my favourite quote from an ARSC Conference came in Philadelphia
>> from Joe Tarsio, pivotal  engineer for the "philly sound" of the 1970s:
>> "Remember, automation was supposed to *save* us  time!"
>>
>> Marcos