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I was wondering how many of us are in Unions? I'm an IATSE member, but most of my studio work is not through them, most of it being non-profit agency work at below union scale, which is usually OK due the joy of preservation aspect of the work. I do get theatrical and event work through IATSE and then I'm very well taken care of. If I had a more fulltime staff position here, it would probably be through ACSFME. Is it our love for the work or the small size of the business that keeps us from unions? >I was never in a union however the decline of recording engineers being in unions led to a >50% drop in our average wages. If you calculate inflation in, that figure becomes a drop >of 90%! I don't buy that the union engineers of the 1950s and '60s were overpaid and >the quality of their work certainly speaks for its self. -- >Bob Olhsson Audio Mastery, Nashville TN >Mastering, Audio for Picture, Mix Evaluation and Quality Control >Over 40 years making people sound better than they ever imagined! >615.385.8051 http://www.hyperback.com Robert Wasserman [log in to unmask] Sound Archives Proj. Asst. Wisconsin Historical Society 608-264-6473