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From: "Michael Biel" <[log in to unmask]>
> I have the exact opposite attitude.  The body of work of a performer
> exists as it was recorded in the studio.  The ordering of the items in
> the album is usually an afterthought that rarely includes the performer

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Who is to say whether of not the order of tunes recorded at a session has
any significance either?  Should we listen to Whiteman's 1927 RHAPSODY IN
BLUE with Part 2 before Part 1 because he recorded it that way? 

Dave Weiner