Try a slow transfer at 33 1/3 - at the slower speed, your cartridge will follow the irregularities - it should be all low frequency noise. -cheers-Mickey Follow me on Twitter https://twitter.com/MickeyRClark M.C.Productions Vintage Recordings 710 Westminster Ave. West Penticton BC V2A 1K8 ----- Original Message ----- From: "James Roth" <[log in to unmask]> To: <[log in to unmask]> Sent: Tuesday, October 09, 2012 9:07 AM Subject: Re: [ARSCLIST] What's the best way to remove surface noise on Columbia Shellac (1930)? > Hello alls also. > > I had the same question about 1/2 year ago. > I have hundreds of those woow-woow surface noise Columbias. > I've tried 10 different styli - truncated/full conical, eliptical, etc. > (Shure and Stanton) and the GE VRII cartridge with the 3 mil stylus. > ...but no luck. > > Regards, > Ben Roth > > > -----Original Message----- > From: Association for Recorded Sound Discussion List > [mailto:[log in to unmask]] On Behalf Of Raphaël PAREJO > Sent: Tuesday, October 09, 2012 11:01 AM > To: [log in to unmask] > Subject: [ARSCLIST] What's the best way to remove surface noise on > Columbia Shellac (1930)? > > Hello alls! > > I've a lot difficulties to resolve a problem of surface noise and rumble > on a Columbia shellac (circa 1930, electric recording) from San Sebastian > (Basque country) factory. > > What's the best ways to attenuate or remove this persistant noise ? > > I'm working on a Macintosh computer with Peak Pro 7 Editor and several > plugins as iZotope RX2, Oxford restoration suite, and also the > discontinued SoundSoap Pro 2. The results are not good. > > A colleague have tried to use Cedar 3000, but without good results. > > Some suggestions? > > regards. > > -- > R. Parejo-Coudert > > Ethnomusicologue / Ethnomusicologist / Etnomusicólogo > > Anthropologie visuelle et sonore > Visual and Sound Anthropology > Antropología visual y sonora > > Archives sonores - Archivos sonoros - Sound Archives Restauration audio - > Restauración audio - Audio Restoration > > > °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° >