On 7/30/2013 7:44 AM, Michael Biel wrote: > Perhaps their excuse would be that they had discussed the 50's as being > when adults bought albums and kids bought singles, but I would go beyond > their narrow view of performers that teenagers would know of. Kids did > not buy Bob Dylan albums in 1962 or 63. They DID buy Elvis albums, > Kingston Trio, but not Dylan. Depends where you were; I grew up in Chicago, and the teenage folkies were buying Dylan albums, and arguing about them far into the night. > Although I was there in the folk scene, I had gotten my introduction to > Dylan in 63 when my British pen-pal asked me to send him Freewheeling > which had not been released there. The delay in releasing his first 2 > albums in England is not noted despite crediting Dylan with part of the > thrust to albums with his first albums, especially Freewheeling, but > this was not noticed at the tie -- only later. They did have an aside > about the growth of the American Folk Music scene being an influence in > the album, but then jump back to Dylan. If you want to note album > artists that did not have hit singles, it started before Dylan. Harry > Belefonte was not a singles seller, but with "Mark Twain" and especially > "Calypso", his albums were very influential. I Belafonte had a *huge* hit with "Banana Boat Song (Day-O)" and another with "Jamaica Farewell". The former was big enough to get parodied by Stan Freberg ("Too piercing, man"). discovered recently when > doing my "First Family"/"My Son the folk Singer" research that Joan Baez > had THREE albums in the top 15 that month and that Peter Paul and Mary's > first album was the No 1 album that these two comedy albums bumped off. > Dylan's own albums were not making a wave yet -- PP&M MADE Dylan. Later > on the doc discusses the live album and credits Peter Frampton with > starting that phase of albums, they forgot "The Weavers At Carnegie > Hall" and then Belafonte's three GIGANTIC HIT Carnegie Hall and Greek > Theatre albums as being influential sellers for performers who still > were not singles sellers. See above about Belafonte's singles. The Kingston Trio's "From the Hungry I" was a big live album, too, and kids bought it. At least, all the folkie kids at my school did. Peace, Paul