Hello, Tomk at al,

I've worked out a test that bypasses what everyone thought they were doing
and gets to what they actually were doing.  No time to check it at the
moment, but I'll report once I've done the necessaries at this end.

Steve Smolian  

-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:[log in to unmask]] On Behalf Of Tom Fine
Sent: Thursday, December 19, 2013 8:44 AM
To: [log in to unmask]
Subject: Re: [ARSCLIST] Record equalization

Hi Steve:

I think the definitive way to answer this would be to look at schematics of
the early cutting equipment. Have you checked the Sooey brothers' journals
at the Sarnoff archive website? Perhaps they discuss this matter?

-- Tom Fine

----- Original Message -----
From: "Steve Smolian" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Thursday, December 19, 2013 12:17 AM
Subject: [ARSCLIST] Record equalization

> Do we know if the early commercial electrics by Victor and HMV used any
equalization?  Since there 
> was no commercial record player on the home market that used an amplifier
until November, 1925, 
> there's an April-October or later period where there is no means of
introducing a circuit that 
> inverts any electronic change from what reached the cutting head.
> The record companies would not abandon the record market which used the
acoustic playback process 
> for half a year or create a product that sounded poor on the installed
base of home players.  Yes 
> the acoustic Orthophonics were available by then but few could afford
> If this  is so, such 78s should be played back flat.
> Any hard data on this question?
> Steve Smolian