On 2014-09-11 4:30 PM, Tom Fine wrote:
> In theory, a great analog recording should need no processing if it's
> been played back correctly into a "transparent" high-resolution ADC.

Hi, Tom,

There is one point it seems I need to emphasize. Most of the work I do 
with RX is not on the great recordings, but rather on the ones that are 
so far from great that they would be unusable for their intended purpose 
without some cleanup.

As you and I both know, there is a good deal of money out there to 
support preserving all sorts of spoken word recordings, both "oral 
history" and also "motivational" recordings (sermons et al fall into 
"motivational" for the sake of this discussion).

Often, the original recordists were ignorant of recording practices and 
were given no budget nor incentive to do it anywhere close to correctly. 
Ignorance is not a sin. The possible sin is realizing your ignorance you 
do not seek to improve but go ahead anyway and make poor recordings. 
Often the person ignorant in recording technique may be very well versed 
in the subject s/he is discussing, so it's a very complex pathway to the 
poor recording.

I think many of us are addressing these types of recordings and yes, one 
can overdo Cedar, NoNoise, iZotope, Algorithmix, and whatever else, just 
one can overdo compression, limiting, equalization, and Aphex Aural 

I don't know if iZotope is being hyped, but I am excited due to the last 
month's work looking at the new release and seeing the subtle and useful 
improvements in it as well as the new features.

Prior to this release, I had been attempting to move my oral history 
post production completely into Izotope (from Samplitude). I would 
ingest in Samplitude and then move to Izotope for all the post work.

This caused me to write several long letters to iZotope and I was 
rewarded with the invitation to beta test. I do not have a large oral 
history project in house at the moment, so I won't be seeing how this 
works in real-life production for a while, but there are many 
improvements that allow us to better and quicker repair things in 
technically poor-from-the-start recordings that contain content of interest.



Richard L. Hess                   email: [log in to unmask]
Aurora, Ontario, Canada                             647 479 2800
Quality tape transfers -- even from hard-to-play tapes.