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On Mon, 22 Sep 2014 12:42:18 -0400, Steven Smolian <[log in to unmask]> 
wrote:

>This is only somewhat accurate.
>
>During his lifetime, he was performed in Holland but not so much elsewhere.

There's an interesting discussion about how widespread performances of 
Mahler's music were in the inter-war period in the booklet to the recent 
8-CD set on the Urlicht Audio-Visual label, "The Music of Gustav Mahler: 
Issued 78s, 1903-1940" (UAV-5980, pub. 2013).  I quote from the essay by 
Sybille Werner and Gene Gaudette:

"Researching the subject for Professor Henry-Louis de La Grange surprising 
facts emerged ... [S]o far, well over 2000 Mahler orchestral performances 
under more than 300 conductors have come to light in the period between 
Mahler's death in 1911 and WW II."  

The essay then goes on to mention about 400 performances in Holland during 
this period, another 400 or so in Vienna before the Anschluss, 900 in 
Germany before the Nazis banned his music, and about 200 in the U.S.  The 
conductors who presented the largest number of Mahler works during this 
period were Mengelberg (over 300 listings), Walter (about 150 before WW 
II), the Dutch Peter van Anrooy (85), Oskar Fried (70), Klemperer (55), and 
Furtwangler (42), among others.  

The essay continues:

"What all the statistics ultimately demonstrate is that Mahler's music was 
programmed frequently in pre-WW II Austria, the Netherlands, and especially 
in Germany.  While it is difficult to accurately compare the pre- and post-
war popularity of his music, the numbers show that from 1945 until the 
Mahler Renaissance of the 1960s, much less of his music was heard in the 
concert hall than during the pre-WW II years.  While Mahler only slowly 
regained his place in the repertoire in Europe, the focus of performances 
shifted to the United States where many expatriate European conductors 
programmed his works."

Mahler's music was apparently well-known enough to warrant a salon 
orchestra recording of a "potpourri" of themes from "Das Lied von der Erde" 
to be made in Vienna in 1928 (featured in this CD set).  Could the whole 
legend of Mahler having been a never-popular, forgotten composer have been 
cooked up to hype his "rediscovery" on LP in the 1960s?  It certainly made 
for good copy ("His time has come!").

Mark Obert-Thorn