In addition to bf:musicMediumNote, there is  bf:musicMedium that is not string based, so it could be used to link to resources like or other sources, in born BIBFRAME cataloging. I'm checking to see how it could be used with 048 transformation.

For lots of these types of entries, the MARC data, when not easily parseable, needs to be in a string based/note type property until someone/thing can come along and extract out the resources referenced in those notes, and put them in the uri version of that property.  But for born BF, they can go right into the uri version of the property.


Nate Trail
LA308, Mail Stop 4402
Library of Congress
Washington DC 20540

-----Original Message-----
From: Bibliographic Framework Transition Initiative Forum [mailto:[log in to unmask]] On Behalf Of Karen Coyle
Sent: Thursday, September 04, 2014 11:26 AM
To: [log in to unmask]
Subject: Re: [BIBFRAME] Medium of performance (Music) question


I thought it would be interesting to see what RDA does with medium of performance, and it appears to have single field, P20215, that would correspond to the 382. It also does not seem to have anything corresponding to the 048. (I don't know of an "official" mapping from MARC to RDA. Anyone?) A slightly reduced turtle form is:

     reg:name "mediumOfPerformanceOfMusicalContent"@en ;
     a rdf:Property ;
     rdfs:domain <> ;
     rdfs:isDefinedBy <> ;
     rdfs:label "has medium of performance of musical content"@en ;
     skos:definition "Relates an expression to the instrument, instruments, voice, voices, etc., used (or intended to be used) for performance of musical content."@en .

The RDA vocabulary is not at the same level of detail as MARC, nor is it at the same level of detail of the RDA rules. (Which I do not have access to, so perhaps someone else can check that that is verifiably
true.) In fact, I would say that RDA is specified at about the ISBD level. BIBFRAME is an even more "macro" view. RDA has about 1400 elements, BIBFRAME has 104. Either can, however, be expanded.

There is work going on in RDA to define more specific elements for the "extent" area (e.g. making "23 cm" a separate numeric + unitOfMeasure). 
Clearly, the same would need to be done for musical instruments (and perhaps many dozens of other data elements.

There are various ways this could happen. One is that RDA and BIBFRAME could swell up to many many thousands of different classes and properties. Another is that a version (profile) of either or both could be developed for music materials. This would allow general libraries that are content to have a display form of the medium of performance could use the RDA or BIBFRAME property, while music libraries, especially those serving schools of music, could use the "full music extension" of either vocabulary. That way, we don't force that level of detail on libraries and users that have no use for it.

I always see music as a special case, with its structured uniform titles and massive aggregation problem. I think that a profile for music libraries would be a very interesting development. (I'd be happy to put in what I can on that.)

p.s. There are LOTS of other special cases: maps, photographs, archival 
materials.... all could use this kind of treatment.

On 9/3/14, 7:52 PM, Kirk-Evan Billet wrote:
> Thank you all for the helpful responses to this question.
> But to continue, I am rather perplexed at learning that MARC bib 382 is being mapped to a note field. Since the LCMPT (Library of Congress Medium of Performance Thesaurus) has recently been released as linked data, why would we want to be so "string-y" about medium of performance in Bibframe? Also, I have noticed that, in current transformations, MARC bib 048 (the "traditional" place for coding instrumentation before upstart 382 came along) is not being mapped at all. (Of course, some kind of programmatic conversion from 048 to 382 may be in our future.) Moreover, I want to be thinking also about new data we may soon begin to generate, outside of transforming what we already have. This aspect of music resources is crucial.
> Best day,
> Kirk-Evan Billet

Karen Coyle
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